Saturday, May 31, 2025

Polaris of Enlightenment

Christmas: An ancient Nordic tradition

Published 24 December 2023
– By Editorial Staff
The Christmas goat has very old origins.

Christmas was already a very important tradition in the Nordic countries during pre-Christian times, featuring festivities, food, drink, and the honoring of the gods. Although Christmas celebrations have changed greatly over the millennia, our modern commemoration of it still bears clear traces of our ancestral customs and traditions.

It is documented that “Christmas” in the form of fruma jiuelis was used by the Goths as a name for one of their winter months as early as the fourth century. In the eighth century, the English historian and monk Bede recorded that the Anglo-Saxon calendar likewise contained a winter month named Giuli.

The word’s etymology is somewhat unclear, but it is believed to be quite ancient, derived from Old Germanic. It is also notable that, according to some sources, the Asa god Odin was called “Father Christmas,” or “Julner,” and that in the writings of Ågrip from the end of the 12th century it is claimed that the word Christmas, or iol, comes directly from one of Odin’s names. Serious theories have also been put forward which hold that Christmas actually etymologically derives from the word for “wheel,” and relates to the Sun Wheel’s “new start” or “rebirth” in connection with the midwinter solstice.

Red Ice TV has highlighted many modern Christmas traditions that are believed to have ancient pagan origins, including the hanging of mistletoe, which is still used as a Christmas decoration in many homes. An example of a very old custom related to this is an injunction for couples to stand under mistletoe and kiss each other for luck and prosperity.

It is also believed that the traditional Christmas colors of red, green, and yellow, which are still used today, represented blood and growth, and that Christmas may in many ways have been a holiday to celebrate life and fertility. It has likewise been claimed that the red Christmas ornaments that decorate trees and homes during the holiday symbolize the sacrificial meat that was hung from trees and given to the Asa gods during the Old Norse celebration. Even Odin himself, according to tradition, hanged himself from the World Tree, Yggdrasil, as a sacrifice in exchange for receiving the knowledge of the runes’ secrets.

Santa Claus is considered by many to have ancient Germanic origins hearkening back to Odin, who with his long white beard, hat, and eight-legged horse Sleipner rode across the sky in a way that is quite similar to how Santa Claus is depicted in modern traditions. Many children put their boots out, along with hay for Odin’s horse – a tradition not unlike putting up Christmas stockings near the chimney and expecting to find gifts in them the next morning. Even the cookies and milk that many families put out for Santa Claus are believed to allude to how the Old Norse gods appreciated receiving gifts.

The image of Santa Claus and his reindeer, seen here in Donald Duck’s Christmas, is quite familiar in Sweden and may have its origins in Odin and his Sleipner (facsimile/YouTube).

The Christmas goat is another symbol still used today, dating back to the pre-Christian thunder god Thor, whose chariot was pulled by two goats. Before Santa Claus started handing out presents to the children of wealthy families, it was the Christmas goat that fulfilled this function, something that has survived to a much greater extent in Finland, for example, where Santa Claus still has some competition from the Christmas goat for the honor of leaving Christmas presents. Dressing up as a Christmas goat used to be a popular tradition, a custom that waned after the advent of Christianity, when goats began to instead be associated with the devil.

Exactly how Christmas celebrations have changed over the millennia is very difficult to determine, because much information has been lost and only fragments and occasional descriptions remain. What is clear, however, is that our modern Christmas celebrations stem from very ancient roots and still contain strong traces of the old customs and traditions.

The Icelandic historian Snorri Sturluson writes in his work Heimskringla that it was the Christian Norwegian King Haakon the Good who changed the date of the Christmas celebrations. It is believed that Christmas originally began after midnight in mid-January, but the King reformed the practice because it was pagan, instead setting it at the same time that the Christians celebrated their feast in December.

Snorri also writes that Christmas, like several other recurring annual feasts, was celebrated by making a sacrificial offering in the form of a feast that was arranged by the powerful local chiefs, and that before the meal itself a special ritual slaughter of the animals to be eaten was carried out.

In the story of Haakon the Good, it is said that all the farmers would come to the temple, bringing whatever stocks of food they had. Cattle would be slaughtered and everyone would be provided with beer. The blood of the slaughtered animals would be sprinkled on the feast’s participants as well as on the walls of the temple.

“The fire was set in the middle of the floor of the temple, and over it hung the kettles, and the full goblets were handed across the fire,” it is further stated. “He who made the feast, and was a Chief, blessed the full goblets, and all the meat of the sacrifice. And first Odin’s goblet was emptied for victory and power to his King; thereafter, Niord’s and Freyja’s goblets for peace and a good season. Then it was the custom of many to empty the brage-goblet; and then the guests emptied a goblet to the memory of departed friends, called the remembrance goblet.”

According to the Ynglinga Saga, it appears that Odin wanted a sacrifice in midwinter for a good crop in the coming year, and in early summer for the brave ones to emerge victorious from the coming battles. Many great sacrificial feasts are said to have been held at the mythical temple in Uppsala.

From Torbjörn Hornklove’s tenth-century Hrafnsmál comes the expression “drinking Christmas.” It says that the Warrior King Harald Hårfager preferred to conduct his Christmas drinking out at sea. In Norrbotten and Finnish Ostrobothnia, special sacrificial feasts are known to have been held in the middle of winter as well.

Outside he wants Christmas drink
if he alone may rule
the haughty prince,
and raise Freyr’s play.

During the centuries of Christian influence in Scandinavia, pagan and Christian traditions and ceremonies have become mixed. Some practices, such as animal sacrifice, were banned by the Church as it gained more authority. In the following centuries, the state actively worked to diminish Christmas celebrations, putting an end both to their perceived extravagance and their clearly pagan traditions. To this day modern believers celebrate with Christmas flowers, although blood sacrifices no longer occur. Although this is usually done in conjunction with the winter solstice – focusing on the “return of the Sun”.

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WakeUpTV aims to challenge the Nordic establishment media

Published 29 May 2025
– By Editorial Staff
According to Oddane, the focus of the TV house will be on news and social programs as well as investigative documentaries and interviews.

The creators behind the WakeUpGlobe channel, the Nordic network WakeUpFriends, and the WakeUpConference announce that they are planning to build a new Nordic television network focused on “truth and awareness”.

The stated goal is extremely ambitious – they say they want to seriously challenge and offer an alternative to the major Nordic TV companies with their millions of viewers.

It’s time to build a new Nordic TV house under the WakeUpTV brand that can seriously challenge the big Nordic commercial and state-owned players, such as SVT, TV4, DR in Denmark, and NRK in Norway”, says founder Michael Oddane in a press release.

With WakeUpTV, we want to take everything to a whole new level, where we will operate in professional TV studios on a par with the major TV houses in an environment where the masses feel at home”, he continues.

According to Oddane, hundreds of millions of people around the world have lost confidence in the narratives broadcast by traditional channels and are instead looking for new alternatives.

We will create truth-focused and life-affirming TV that will both be a force for changing society for the better and help people develop both personally and spiritually”, he says.

“Traditional media obscures and distorts”

The plans began five years ago, and the property where the TV station will be built is located in a scenic area outside Lund. Two large TV studios, control rooms, and offices will be built on the property.

Initially, the TV station will have five permanent employees, and various external presenters will be brought in for different projects. It will launch its own streaming service but will also broadcast much of its content via social media to achieve the widest possible reach.

Our focus will, as always, be on uncovering the truth about what is happening in the world and sharing knowledge about personal and spiritual development. It is quite obvious that traditional media both obscures and distorts the truth, contrary to the mission they claim to have. They seem to operate largely according to the wishes of those in power and have lost their function as the third estate. Even spiritual and personal development seem to fall outside the scope of public service and commercial television, which is highly remarkable”, Oddane continues.

Holistic health and alternative medicine

WakeUpTV will also focus on areas such as holistic health, alternative medicine, and treatments – but not on sports or pure entertainment programs.

There will be news-related and socially oriented programs, investigative documentaries, and interviews. There are also plans for debate programs and talk shows with live audiences and, as I said, a separate section where we will share knowledge about spiritual and personal development together with a large number of Nordic actors. Everything will be packaged with high production values”.

Oddane is now trying to attract investors – both micro-investors and those who are willing to invest larger sums. However, it is currently unclear when the TV station is expected to be ready and start broadcasting programs.

Israel’s Eurovision public vote record sparks suspicion of coordinated campaign

Published 20 May 2025
– By Editorial Staff
Israeli representative Yuval Raphael performing at this year's Eurovision.

Israel’s contribution to the Eurovision Song Contest 2025 has become a hot topic – not only for its performance, but also for the record-high number of votes from the audience. Now, suspicions are growing that organized campaigns may have influenced the result.

According to the Schibsted newspaper SvD, both experts and Eurovision fans have reacted to Israel receiving so many votes from TV viewers. Israel’s representative Yuval Raphael won the public vote by a large margin, but Austria took home the final victory thanks to higher scores from the jury groups.

As in Malmö last year, Israel’s entry was controversial even before the final, mainly because of the ongoing war in Gaza.

It is worth noting that Yuval Raphael survived the Hamas attack at the Nova music festival on October 7, 2023, and she says that the experience has shaped her and her entry, “New Day Will Rise”, which she believes carries a strong message of hope and reconstruction.

EBU will investigate

According to SvD, there are suspicions of coordinated efforts on platforms such as Telegram, Facebook, and X, where users have shared instructions on how to vote from different countries and use VPN services to circumvent geographical restrictions.

Similar patterns have been seen in previous years, but this year’s mobilization is described as unusually extensive. There have also been reports of automated bots and paid advertisements targeting the Eurovision audience.

The European Broadcasting Union (EBU), which organizes the contest, has confirmed that it is following up on the information and analyzing voting patterns. In a statement, the EBU says it has advanced systems to detect and stop cheating, but that it always reviews its procedures after the contest.

Journalist asked critical questions about Israel – banned from Eurovision

The situation in Gaza

Published 15 May 2025
– By Editorial Staff
Journalist Szymon Stellmaszyk, banned from Eurovision 2025.

Polish journalist Szymon Stellmaszyk has been denied accreditation for this year’s Eurovision Song Contest in Basel. He believes this is due to a critical question he asked Israeli artist Eden Golan last year – something the EBU denies.

Szymon Stellmaszyk has covered the Eurovision Song Contest for 20 years and runs both the Facebook page “Let’s talk about ESC” and the industry website “Radio Newsletter”. This year, for the first time, he has been denied accreditation to cover the contest in Basel.

The background, according to Stellmaszyk himself, is a critical question he asked Israel’s contestant, Eden Golan, during Eurovision in Malmö last year. He asked whether Golan, given the political situation and the war in Gaza, thought her presence could pose a security risk to other participants and the audience.

The question attracted attention and was criticized by some, but Stellmaszyk emphasizes that it was not intended to be offensive or “anti-Semitic”. In an email to Stellmaszyk, which the Swedish state broadcaster SVT has seen, the EBU justifies its decision by saying that the platforms Stellmaszyk uses do not have sufficient reach.

“Restriction”

Szymon Stellmaszyk himself is convinced that the EBU is making excuses and that it is in fact about the question he asked last year.

– This is some kind of revenge and, in practice, a restriction of freedom of expression, he says.

It should also be noted that this year’s EBU media handbook contains a new rule stating that published content must be “respectful” towards Eurovision and the EBU. Eurovision boss Martin Green says the wording is unfortunate and promises that it will be reworded for next year.

At the same time, he does not want to comment on individual cases, but points out that there are a limited number of places for journalists.

The Eurovision Song Contest 2025 will be held in Basel, Switzerland.

Bizarre children’s series described as “digital drug”

Cultural revolution in the West

Published 10 May 2025
– By Editorial Staff
The characters of the children's series Cocomelon with its abnormal proportions.

The children’s series Cocomelon attracts young children around the world with its colorful animations and catchy songs. Despite its enormous popularity, criticism of the series is growing, with some warnings that its extreme editing could have a very negative effect on children’s brains.

More and more parents and experts are questioning the extremely fast pace of Cocomelon and whether the mass-produced style is really good for young minds, or whether it risks overstimulating children and making them restless.

One of the major objections to Cocomelon is its rapid editing technique, where camera angles change every two to three seconds. This is a hectic and exaggerated pace that is unfortunately all too common in modern children’s entertainment, but here it is taken to a new level.

According to a study by PubMed Central (PMC), the executive functions of 4-year-olds, such as self-control and working memory, are at risk of being severely impaired after being exposed to fast-paced clips for too long.

Many parents also report that their children become agitated after watching children’s series such as Cocomelon, and there is plenty of criticism on social media platforms such as X.

Mass-produced aesthetics

Other research also indicates that rapid camera and clip changes can negatively affect young children’s concentration. The fast pace is no accident either. Cocomelon is designed to capture children’s attention, but some argue that it now goes too far.

According to Findmykids.org, the constant impressions can trigger dopamine release, causing children to seek the same quick rewards even outside the screen – something that can make it harder for them to focus on calmer activities such as reading or playing.

In addition to the pace, the series’ aesthetics have also been criticized. Like most animated productions today, the characters have disproportionately large heads and overly cheerful expressions, which some find unpleasant.

For many parents and viewers, it feels like the series is made on an assembly line where quantity takes precedence over quality, resulting in an aesthetic that is more frightening than charming.

Opinions are divided

Unlike traditional cartoons such as Scooby-Doo, Cocomelon is animated in a way that prioritizes quantity over quality, which is evident in the disproportionate characters and the assembly line feel.

Opinions about Cocomelon are divided. Some experts, such as Rebecca Cowan at Walden University, argue that there is insufficient evidence to single out Cocomelon as the problem – instead, it is total screen time that may be harmful.

– Without empirical research on the show Cocomelon, there is no data to substantiate claims that this show is overstimulating due to the pace of the scenes, she says.

But others warn that the series’ pace and overstimulating elements can have a very negative impact on children’s development, especially in terms of concentration and calmness.

Cocomelon may seem like an easy solution for entertaining young children, but it is worth considering what the fast pace and mass-produced style do to young viewers.

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