Monday, May 19, 2025

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The Sweden Rock festival turns 30

The Sweden Rock festival showed a sacred bond between artists, organizers and visitors. It always takes a visionary to create something, and this year the blood and the heart pulsed rhythmically in a way that created magic between the rock band and the audience. So writes The Nordic Times' Mikael Rasmussen who visited this year's festival.

Published 16 July 2023
Iron Maiden was undoubtedly the highlight of the festival, writes Arist Razz.

Sweden Rock Festival celebrates its golden anniversary this year and truly represents a sacred covenant between the organizers, artists, audience, volunteers, journalists, photographers, as well as bikers, food trucks of all kinds and the residents of Norje, Sölvesborg and the surrounding area.

Sweden Rock festival stage. Photo: Mikael Rasmussen/Artist Razz

Ingolf Persson is the visionary behind the success story that is Sweden Rock Festival, the largest hard rock festival in Scandinavia. It always takes a visionary to create something, so it is with all the fantastic bands, all the musical souls who compose songs and strong melodies that still captivate and make the pulse and blood flow rhythmically in the body, creating a magical feedback loop between rock band and audience.

Blue Öyster Cult. Photo: Mikael Rasmussen/Artist Razz

More than 90 bands performed at this year’s edition of Sweden Rock Festival, which also celebrated its 30th anniversary this year. The undisputed highlight was Iron Maiden with front man Bruce Dickinson! They show and offer the excited crowd energy, stage presence and true camaraderie both among themselves as band members and to the audience, giving them full value, response and gratitude for the mutual respect between audience and band.

Sweden Rock festival stage. Photo: Mikael Rasmussen/Artist Razz

There is an adrenaline rush just before the band enters the stage and the audience does not know what to do and even we photographers in the photo ditch feel the presence of the audience and the band and the whole place’s soul vibrates and is then released when everyone in the band Iron gives it their all with their fantastic setlist. Iron Maiden knows how to create majestic compositions, powerful chords, beautiful chord progressions and changes between acoustic, distorted guitars, beautiful vocal parts, just think of the songs Fear of the Dark, Alexander the Great and Wasted Years.

“Say hi”. Photo: Mikael Rasmussen/Artist Razz

Sweden Rock’s five stages during the four days of the festival delivered band after band of hard rock, metal, blues, rock and it is nice to see how nice the atmosphere becomes by varying the range of all these styles. It is also powerful to be a part of a band that has been creating fantastic songs for decades, songs that still touch you and make you feel good, especially when you think of the band that almost became a kind of opening act for Iron Maiden… Blue Öyster Cult. Strong melodies that are perfectly uplifting like Cities on Flame with Rock and Roll and Black Blade.

There was a great deal of excitement at the stage from the fans. Photo: Mikael Rasmussen/Artist Razz

It’s amazing that guys well into their 70s are still delivering rock at the highest level and touching hearts. There is really a series of renowned artists such as Def Leppard, Lita Ford, Heat, Sator, Europe, U.D.O. and others. There was also an extra nostalgia trip when we got to see and hear the remnants of ZZ-Top, now called Billy Gibbons and the BFGs. During such numbers, the audience rhythmically bobbed their heads, clapped their hands in time and stamped their feet in the sandy and dusty earth.

Bruce Dickinson performing. Photo: Mikael Rasmussen/Artist Razz

Many of the singers in each band expressed their gratitude for the organization of the festival, the presence of the audience, and how important music and culture are to be able to meet and socialize again now that the pandemic and the festival are over, for now. Some final thoughts for next year’s festival are the wish for a little warmer food in some of the food tents and maybe some symbols to make it a little easier to find your car in the middle of the night far out in the fields and a little better communication between organizers, artists and media, but all in all the Sweden Rock Festival is a fantastic organization that integrates, invites and respects.

Steve Harris on bass. Photo: Mikael Rasmussen/Artist Razz

See you next year with the expectation that all the senses will be stimulated and especially the ear canals will be kneaded by decibels. Thank you for a successful Sweden Rock Festival 2023. So the last question is: Do I take the bride? Yes! And if there are 30 more years, we look forward to a diamond wedding!

 

Mikael Rasmussen alias Artist Razz

Sweden Rock is a rock festival outside Sölvesborg in Blekinge. The festival offers music including classic rock, hard rock, metal and blues.

It is Scandinavia's largest rock festival and every year visitors come from around 50 countries.

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Journalist asked critical questions about Israel – banned from Eurovision

The situation in Gaza

Published 15 May 2025
– By Editorial Staff
Journalist Szymon Stellmaszyk, banned from Eurovision 2025.

Polish journalist Szymon Stellmaszyk has been denied accreditation for this year’s Eurovision Song Contest in Basel. He believes this is due to a critical question he asked Israeli artist Eden Golan last year – something the EBU denies.

Szymon Stellmaszyk has covered the Eurovision Song Contest for 20 years and runs both the Facebook page “Let’s talk about ESC” and the industry website “Radio Newsletter”. This year, for the first time, he has been denied accreditation to cover the contest in Basel.

The background, according to Stellmaszyk himself, is a critical question he asked Israel’s contestant, Eden Golan, during Eurovision in Malmö last year. He asked whether Golan, given the political situation and the war in Gaza, thought her presence could pose a security risk to other participants and the audience.

The question attracted attention and was criticized by some, but Stellmaszyk emphasizes that it was not intended to be offensive or “anti-Semitic”. In an email to Stellmaszyk, which the Swedish state broadcaster SVT has seen, the EBU justifies its decision by saying that the platforms Stellmaszyk uses do not have sufficient reach.

“Restriction”

Szymon Stellmaszyk himself is convinced that the EBU is making excuses and that it is in fact about the question he asked last year.

– This is some kind of revenge and, in practice, a restriction of freedom of expression, he says.

It should also be noted that this year’s EBU media handbook contains a new rule stating that published content must be “respectful” towards Eurovision and the EBU. Eurovision boss Martin Green says the wording is unfortunate and promises that it will be reworded for next year.

At the same time, he does not want to comment on individual cases, but points out that there are a limited number of places for journalists.

The Eurovision Song Contest 2025 will be held in Basel, Switzerland.

Bizarre children’s series described as “digital drug”

Cultural revolution in the West

Published 10 May 2025
– By Editorial Staff
The characters of the children's series Cocomelon with its abnormal proportions.

The children’s series Cocomelon attracts young children around the world with its colorful animations and catchy songs. Despite its enormous popularity, criticism of the series is growing, with some warnings that its extreme editing could have a very negative effect on children’s brains.

More and more parents and experts are questioning the extremely fast pace of Cocomelon and whether the mass-produced style is really good for young minds, or whether it risks overstimulating children and making them restless.

One of the major objections to Cocomelon is its rapid editing technique, where camera angles change every two to three seconds. This is a hectic and exaggerated pace that is unfortunately all too common in modern children’s entertainment, but here it is taken to a new level.

According to a study by PubMed Central (PMC), the executive functions of 4-year-olds, such as self-control and working memory, are at risk of being severely impaired after being exposed to fast-paced clips for too long.

Many parents also report that their children become agitated after watching children’s series such as Cocomelon, and there is plenty of criticism on social media platforms such as X.

Mass-produced aesthetics

Other research also indicates that rapid camera and clip changes can negatively affect young children’s concentration. The fast pace is no accident either. Cocomelon is designed to capture children’s attention, but some argue that it now goes too far.

According to Findmykids.org, the constant impressions can trigger dopamine release, causing children to seek the same quick rewards even outside the screen – something that can make it harder for them to focus on calmer activities such as reading or playing.

In addition to the pace, the series’ aesthetics have also been criticized. Like most animated productions today, the characters have disproportionately large heads and overly cheerful expressions, which some find unpleasant.

For many parents and viewers, it feels like the series is made on an assembly line where quantity takes precedence over quality, resulting in an aesthetic that is more frightening than charming.

Opinions are divided

Unlike traditional cartoons such as Scooby-Doo, Cocomelon is animated in a way that prioritizes quantity over quality, which is evident in the disproportionate characters and the assembly line feel.

Opinions about Cocomelon are divided. Some experts, such as Rebecca Cowan at Walden University, argue that there is insufficient evidence to single out Cocomelon as the problem – instead, it is total screen time that may be harmful.

– Without empirical research on the show Cocomelon, there is no data to substantiate claims that this show is overstimulating due to the pace of the scenes, she says.

But others warn that the series’ pace and overstimulating elements can have a very negative impact on children’s development, especially in terms of concentration and calmness.

Cocomelon may seem like an easy solution for entertaining young children, but it is worth considering what the fast pace and mass-produced style do to young viewers.

Trump wants 100% tariff on foreign films

Donald Trump's USA

Published 9 May 2025
– By Editorial Staff

Donald Trump has announced that he has initiated a process to impose a 100% tariff on all films produced outside the US that are then imported into the country. Critics warn of the consequences and argue that tariffs will worsen the situation for the American film industry.

The decision, which was announced on May 4, is intended, according to Trump, to protect the American film industry, which he believes is on the verge of “a very fast death”, reports industry publication Variety.

– This is a concerted effort by other nations and, therefore, a national security threat. It is, in addition to everything else, messaging and propaganda, Trump wrote on his platform Truth Social.

Trump said he has instructed the Department of Commerce and the US Trade Representative to quickly begin the process of imposing the tariffs.

Exact details on how the tariffs will be implemented, such as whether they will also cover streaming services or how the size of the tariffs will be calculated, have not yet been announced.

Commerce Secretary Howard Lutnick has confirmed that the authorities are working on the issue.

“Incredibly stupid”

Many American productions are currently filmed in several countries that offer financial incentives for film production, including Canada, the UK, and Australia, and industry representatives are now concerned about how the tariffs would affect ongoing projects and collaborations.

The chair of the Swedish Film and TV Producers Association, Eva Hamilton, called the proposal “incredibly stupid” and warned that it could isolate the US culturally and economically.

It just sounds incredibly stupid, and I find it hard to see how it could be implemented. He’s right that Hollywood hasn’t kept up, but stopping all foreign expertise sounds like shooting yourself in the foot, Eva Hamilton said in an interview with Schibsted owned TV4.

Trump has previously singled out Hollywood as a “very problematic place” and, in early 2025, appointed actors Jon Voight, Mel Gibson, and Sylvester Stallone as ambassadors to promote American film production.

The American film industry has already been affected by Trump’s trade war, and China, among others, has reduced its quota for American films allowed to be shown in response to the new American tariffs on the country.

Record number of Swedes read books last year

Published 8 May 2025
– By Editorial Staff
Two thirds of Swedes read or listened to a book at least once a week last year.

In 2024, a record number of Swedes read or listened to books, a new survey shows. This is the highest level measured so far in the 21st century.

More than half, 51 percent, of Swedes between the ages of nine and 87 read or listened to a book on a typical day, according to the 2024 Media Barometer from Nordicom at the University of Gothenburg. A full 66 percent read weekly.

– This is the highest figure we have seen in the Media Barometer since the measurements started in the late 1970s, says Jonas Ohlsson, media researcher and director at Nordicom in a press release.

The printed book is still the most common format, with 38% using it daily. In comparison, audiobooks reach 15 percent and e-books only seven percent.

In terms of books sold last year, print books also remained at the top of the list, although sales declined. Audio books are also becoming more common to buy and listen to.

Older, highly educated women read the most

The Swedes who read the most, especially printed books, are highly educated women over 65. At the same time, reading is weakest among men without a university education. As a rule, women read more than men, but the gaps are not as great when it comes to listening to audio books.

– These patterns are not the same for audiobooks, however. The possibility to listen to books seems to lower the threshold to literature, which means that the audiobook reduces the socio-economic gaps that we see in traditional book reading, says Ohlsson.

The survey was conducted on 6000 randomly selected people aged nine to 85.

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