Grand celebration of the 75th anniversary of the People’s Republic of China at Stockholm concert hall

Updated September 25, 2024, Published September 24, 2024 – By Editorial staff
After the evening's performance, the newly appointed Swedish Minister for Development Cooperation and Foreign Trade, Benjamin Dousa, joined the conductor, soloist and ambassador on stage.

No expense was spared at the Stockholm Concert Hall on Sunday as the People's Republic of China celebrated 75 years since the nation's founding. In addition to mingling with refreshments and a speech by China's Ambassador to Sweden Cui Aimin, the Shanghai Philharmonic Orchestra offered a magnificent concert that prompted one resounding applause after another from an enraptured audience.

The celebration was also attended by the newly appointed Swedish Minister for Development Cooperation and Foreign Trade, Benjamin Dousa.

After the audience had stood and listened to both the Swedish and Chinese national anthems, the celebration of the national day, which formally falls on October 1, began with a solemn speech by China's Ambassador to Sweden, Cui Aimin.

Mr. Aimin began his speech by drawing attention to the country's current socio-economic prosperity.

– Over the past 75 years, the Chinese people, under the leadership of the Communist Party of China, have continued to struggle and accomplish two great achievements: China's rapid economic development and long-term social stability.

According to Mr. Aimin, this prosperity (in addition to the hard work of the Chinese people) is based on the wise and strong leadership of the Communist Party. At the same time, he refers to the Chinese state's promotion of “people's democracy in the whole process of ensuring people's participation in state affairs”.

Chinese Ambassador to Sweden, Cui Aimin, gives a speech at the Stockholm Concert Hall during the celebration of China's 75th National Day.

The Ambassador further points out that the Chinese leadership is “determined to pursue the Chinese path of human rights development”, referring to China's active participation in “human rights governance globally”.

It also mentioned the “300 priority reform tasks” adopted at the Third Plenary Session of the 20th Central Committee of the Communist Party of China earlier this year, which Aimin says “provide a solid guarantee for Chinese-style modernization and offer more new opportunities for China and the rest of the world to deepen win-win cooperation and develop together”. China's continued economic strength “demonstrates the international community's strong confidence in China's development potential”. This development potential, referred to as "high-quality development" and "new qualitative productive forces" , is of course a fundamental aspect of China's relationship with the outside world.

– In this way, China also contributes more to the development and prosperity of the world, said Ambassador Aimin.

He concluded by noting that it is now 74 years since the establishment of diplomatic relations between China and Sweden, and that the relationship between the two countries has “developed steadily” and “achieved great success”. The Ambassador referred to “fruitful cooperation achievements” in “technology and research, green and low-carbon innovation, and sustainable development” and “great exchange activities” in “culture, education, sports and other fields”.

The Ambassador concluded his speech with the words:

– Next, the Shanghai Philharmonic Orchestra, which has come all the way from China to Sweden, will give us a grand musical feast with its amazing skills. Let us now listen to the harmonious sounds of integration and mutual learning between Eastern and Western civilizations, celebrate the 75th anniversary of the People's Republic of China, and wish that China-Sweden relations move towards a brighter future.

Shanghai Philharmonic Orchestra on the stage of Stockholm Concert Hall.

After the Ambassador's speech, it was time for the main event of the evening: the Shanghai Philharmonic Orchestra under the baton of the young, but renowned, conductor Zhang Liang, a judgment that was obviously shared by many of the spectators, judging by the enthusiastic shouts of “what a conductor!” which were heard a number of times during the concert.

The evening's program, which consisted of classical arrangements of both Chinese and Western composers, such as Antonín Dvořák and Johannes Brahms, was as majestic and impressive as it was captivating and dynamic. One of the musical highlights of the evening was the first violinist's solo passage, which without virtuoso excesses held the audience's attention in a silk-wrapped iron grip.

The soloist of the evening, Liu Wenwen, performs the suona concert “Hundreds of birds pay tribute to the phoenix”.

Another obvious highlight of the evening was the soloist, Liu Wenwen, China's first doctor of philosophy in the traditional Chinese trumpet-like instrument suona. Dressed in a glittering blue evening gown, she performed in perfect harmony with the symphony orchestra the suona concerto Hundreds of Birds Pay Tribute to the Phoenix, an experience that cannot be well described in words, except that the connection to birds was very obvious.

The final number of the evening was Carl Sjöberg's setting of the Gustaf Geijer's poem from 1879, arranged by the orchestra's resident composer Peng-Peng Gong - a combination that hardly left many spectators unmoved.

 

Cultural editorial team

Facts about China's National Day

China's National Day is formally celebrated on October 1. The celebration marks the proclamation of the People's Republic of China in 1949 following the victory of Mao Zedong's Communist Party in the war against Chiang Kai-Shek's Nationalist Kuomintang Party, which until then ruled the Chinese mainland and after the war retreated to Taiwan.

Sweden was the first Western country to establish diplomatic relations with the People's Republic of China, in 1950.

Short feature on the Shanghai Philharmonic Orchestra's Sweden tour

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Unique discovery found in Viking grave

Published November 14, 2025 – By Editorial staff

A skeleton from the Viking Age has been found in Norway with burial details that have never before been documented in pre-Christian graves in the Nordic region. The find has led archaeologists to work in secret, and now DNA analyses will provide answers to the mystery surrounding the woman from the 800s.

The discovery was made in Bjugn in Trøndelag, central Norway, after Roy Søreng was searching with a metal detector in a field in Val earlier this year. When he found a belt buckle, a typical ornament from the Viking Age, he contacted the authorities.

Archaeologists from NTNU Vitenskapsmuseet (the Norwegian University of Science and Technology's Museum of Natural History and Archaeology) and Trøndelag municipality then began work at the site where they were able to confirm that it was a grave.

The Viking Age grave contains what we believe is a woman, buried with typical Viking Age dress and jewelry from the 800s. This indicates that she was a free and probably married woman, perhaps the mistress of the farm, said senior engineer Raymond Sauvage at the Department of Archaeology and Cultural History at Vitenskapsmuseet in a press release.

Remarkable find

The work has since continued in secret because the find was deemed so significant. Now the archaeologists reveal that they found jewelry consisting of two oval brooches that fastened the straps of the pinafore dress, as well as a small ring brooch that closed the neck opening of the undergarment. It was one of these brooches that Søreng originally discovered. The skeleton was also very well preserved.

But the most remarkable aspect is what was found at the dead woman's mouth.

The most remarkable thing is two scallop shells placed at the deceased's mouth. This is a practice not previously known from pre-Christian graves in Norway. We don't yet know what the symbolism means, said Sauvage.

The burial custom with shells did not become common until approximately 300-400 years later, and pre-Christian graves with shells have never before been found in Scandinavia, Sauvage explains.

We must try to find out what significance this had, he told Norwegian state broadcaster NRK.

Second find in a short time

The shells were positioned with the curved side outward and the straight edge upward, so that they partially covered the mouth. Along the grave, the researchers also found small bird bones, probably from wings.

During the Viking Age, burials were ritual stagings where jewelry, clothing and grave goods expressed status and identity. The deceased was displayed with dress, bedding and symbolic objects to create a strong memory and emphasize the family's social position.

Earlier this year, another grave was found in the same field, dated to the 700s. The next step is to DNA-analyze the find to learn more about the woman in the grave, including whether she may be related to the person in the other grave.

We will examine the skeleton, preserve the objects and take samples for dating and DNA analysis. The goal is to learn more about the person and, if possible, kinship to the earlier find from the same location, said Sauvage.

Here’s when Swedes can visit China visa-free

Published November 8, 2025 – By Editorial staff
One of the palaces in the "Forbidden City" in Beijing, China's capital, which is one of the country's most popular tourist destinations.

The Asian giant is making it easier for Swedes who want to explore Chinese culture and business life. Starting November 10, Swedes can now travel to China without a visa for stays of up to 30 days.

Sweden was the last Nordic country where citizens had to apply for a visa to visit China, while visa-free travel was introduced in neighboring countries in November last year. Visa applications involve both costs and require more planning before trips, with significant limitations on flexibility.

Travel operators have pointed out that this has limited both tourism and business travel. Now it becomes easier to book a trip spontaneously, whether the purpose is to discover the country's culture or develop business contacts, and the regulatory easing is a sign that relations between Sweden and China have improved.

China, which in area is almost as large as all of Europe, carries a 5,000-year-old civilization and culture that is well-preserved and has a great diversity of local cultures, traditions, food, and ethnic minorities with their unique expressions.

In the north, the capital Beijing attracts visitors with iconic sights such as the Great Wall of China, the Forbidden City, and Tiananmen Square. To the west lies the historic city of Xi'an with the famous Terracotta Army and traces from the ancient Silk Road.

Southern China offers dramatic karst mountains around Guilin, green rice fields, and opportunities for bamboo raft trips on calm rivers. Shanghai combines metropolitan energy with modern architecture and historic quarters where old meets new.

The country also contains lesser-known gems such as Taoism's sacred mountains, Buddhist temples, and traditional villages where old craft traditions are still preserved.

Good to know

The visa exemption applies to business, tourist, family and friendship visits, as well as exchange trips and transit. Travelers must have a regular Swedish passport that is valid for at least six months after entry. The stay may not exceed 30 days, and the exemption applies through December 31, 2026.

Upon entry, travelers may provide fingerprints and facial photos. Since the country experienced a severe period of terrorism, stricter controls were introduced both at entry into the country and on certain travel routes within the country.

Surveillance cameras are extensively deployed in public places and in traffic.

At the same time, the country is considered one of the world's safest to visit, with very few violent crimes. China now has the world's most modern infrastructure with low living costs and high accessibility to everyday services, social activities, and a rich cultural life.

David Icke returns to YouTube after five-year ban over COVID statements

Internet censorship

Published November 4, 2025 – By Editorial staff
"It's nice to see you again", David Icke greets his YouTube followers.

David Icke is back on YouTube after being suspended for over five years. In a video message, he confirms that he was removed from the platform in April 2020 due to statements that contradicted the official COVID narrative.

Icke, 73, was formerly a professional footballer and BBC sports commentator before he began writing and lecturing in the 1990s about alternative explanations for world events and power structures. He has published numerous books and built a global following through his theories about how the world functions.

In his comeback message, Icke describes how he was suddenly removed from the platform following a livestreamed interview that reached a large audience.

— It was in April of 2020 when I was, shall we say, saying things that were at odds with the COVID narrative that I was thrown off YouTube and everything else unceremoniously half an hour after a live interview that got a massive audience, he says in the video.

All content to be restored

Icke states that he has been informed that all previous content from his channel, which was deleted five and a half years ago, will be restored on the platform. He also mentions that there is "loads of other content" that could not be published during the suspension period.

The author also has a new book coming out titled "The Roadmap: Escaping the Maze of Madness", which he describes as "a real eye-opener" when it comes to explaining "the whole conspiracy's" scope.

— So it's with great pleasure that I announce that I'm back on YouTube because of the reach, because of the impact that the channel has and the impact it can have on communicating information, says Icke.

He urges his followers to subscribe to the channel and notes that it "helps the algorithm". Icke also runs the website ickonic.com where he published material during the suspension period.

Uncertainties surrounding the reversal

The YouTube channel was shut down in April 2020 as part of the platform's measures against content that violated the platform's very strict guidelines regarding COVID-19. Icke had on several occasions expressed views that deviated from health authorities' official directives about the virus and the experimental mRNA vaccines, which also led to him being banned from several social media platforms.

His work has over the years encompassed theories about global power structures, technology and societal development. He has also built a presence through books, lectures and digital content.

Why YouTube is now choosing to restore Icke's account is unclear, however, and the platform has not publicly commented on the decision.

— It's nice to see you again, Icke concludes his message to his followers.

Comment: Thank you for everything, Ace Frehley!

Ace Frehley of KISS has died – The Spaceman has left Earth for his home planet Jendell. Paul Daniel Frehley is sadly no longer with us, but his otherworldly guitar playing, songwriting legacy and not least his unique personality will live on forever.

Published November 2, 2025
Ace Frehley wearing his iconic persona during a photo session in 1976, and backstage before his performance at Gröna Lund (Stockholm's amusement park) in June 2015.
This is an opinion piece. The author is responsible for the views expressed in the article.

Paul Daniel "Ace" Frehley, one of rock history’s most influential and iconic guitarists, passed away on Thursday, October 16, following complications from a brain hemorrhage caused by a fall down the stairs the previous week.

His family describes their grief as devastating and shares that during his final hours, they were able to surround him with love, care, and peaceful words.

We cherish all of his finest memories, his laughter, and celebrate his strengths and kindness that he bestowed upon others. The magnitude of his passing is of epic proportions, and beyond comprehension. Reflecting on all of his incredible life achievements, Ace’s memory will continue to live on forever, the family writes in a statement.

Frehley's former bandmates in KISS – Paul Stanley, Gene Simmons, and Peter Criss – have all commented on the loss.

— We are devastated by the passing of Ace Frehley. He was an essential and irreplaceable rock soldier during some of the most formative foundational chapters of the band and its history, Stanley and Simmons say in a joint statement.

Frehley's wife Jeanette (the couple separated in the 1980s but never divorced) and their daughter Monique remain as close family and witnesses to a life both on and off stage.

From the Bronx to stardom

Ace Frehley was born on April 27, 1951, in the Bronx, New York, into a musical family. He received his first electric guitar as a Christmas present in 1964 and learned to play entirely without lessons. Among his greatest influences were Jimi Hendrix, Buddy Guy, Jeff Beck, the Rolling Stones, Led Zeppelin, and The Who.

As a teenager, he played in various local bands and earned the nickname "Ace" – not least for his ability to arrange dates for his friends. He dropped out of high school when the band Cathedral started making money but later returned to graduate. In 1971, he became a member of the band Molimo, which signed with RCA Records and recorded several songs that were never released.

In late 1972, a friend saw an ad in the Village Voice for the role of lead guitarist in a new band. Frehley auditioned in Manhattan, dressed in one red and one orange sneaker. Despite a lukewarm first impression, he quickly impressed Paul Stanley, Gene Simmons, and Peter Criss with his guitar playing.

The band named itself KISS in December 1972–January 1973 and soon began painting their faces and wearing elaborate stage costumes, inspired by the New York Dolls and Alice Cooper.

Initially, KISS faced cynicism and indifference from New York's music scene. Frehley also supported himself as a taxi driver to make ends meet while the band fought for their place on stage. When manager Bill Aucoin took over, the band gradually began planning their path to stardom.

The Spaceman and the musical legacy

KISS exploded onto the music scene in 1974 with the self-titled debut album KISS, followed by Hotter Than Hell (1974) and Dressed to Kill (1975). The major commercial breakthrough came with the live album KISS Alive! (1975), where Frehley's explosive guitar playing became one of the band's most distinctive trademarks.

Frehley developed his alter ego The Spaceman – a silver-clad space figure with sparkling makeup and pyrotechnic guitar solos. His playing style, which blended blues, hard rock, and glam, contributed to several of the band's most iconic songs, including Shock Me, Cold Gin, Parasite, Rocket Ride, Talk To Me, and New York Groove.

After leaving KISS in late fall 1982, primarily due to personal problems, Ace Frehley formed his own band, Frehley's Comet.

There he could explore a more personal musical expression. The band released its debut album Frehley's Comet in 1987, which blended hard rock, glam, and Ace's own characteristic blues-influenced guitar style.

Songs like Rock Soldiers, Breakout (which he wrote together with then-KISS drummer Eric Carr) and We Got Your Rock, showed that Frehley could still combine explosive guitar playing with melodic hooks, and the tours gave him the freedom to experiment on stage outside of KISS.

The band became an important step in his career, cementing him as a solo artist on his own terms, but he always retained the iconic Spaceman persona.

He returned to KISS for the reunion tour Alive/Worldwide Tour in 1996/1997 and participated on the album Psycho Circus (1998), until he left the band again in summer 2002.

During the 2000s, he continued his solo career and released albums including Anomaly (2009), Space Invader (2014), and Spaceman (2018).

Ace Frehley is celebrated as one of hard rock's most influential guitarists. His style inspired generations of musicians, from Slash to Dave Grohl, and his stage presence remains a benchmark for showmanship within the genre.

Ace Frehley KISS Psycho Circus 1998
Photo: Jan Sundstedt collection/"Psycho Circus" promo poster 1998.

A personal impact

On a personal level, I cannot adequately describe the emptiness within me. It is difficult, if not impossible, to summarize in a few words all the memories that overwhelm.

From being, together with other KISS fans, ridiculed and teased by the "cool" kids at school for loving a band unlike anything else, to the occasionally difficult times at home when my parents struggled with alcohol, KISS and Ace Frehley have been a safe soundtrack.

Their music helped me through adversity and gave me strength and inspiration. Honestly, one doesn't know how life would have turned out without KISS and especially Ace Frehley. Sure, you love other magnificent bands – such as Thin Lizzy, Black Sabbath, and Deep Purple – but KISS was different.

KISS was a band for those of us who felt a bit odd, different, and had a sense of not quite fitting in. Childhood and adolescence became infinitely easier to get through when you understood that you're not alone out there.

Later in adult life, getting to meet all the original members of KISS was a surreal experience – and each meeting reminded me why Ace Frehley will always be more than just a guitarist; he was an inspiration, a mentor, an icon.

Ace Frehley
Ace Frehley together with the writer, in connection with a performance at Gröna Lund (a Stockholm amusement park), in June 2015. Photo: Jan Sundstedt.

The legacy lives on

Ace Frehley's passing leaves a void in the music world. But his legacy – the electrifying guitar playing, the song catalog, the visual stage show, and above all the unique personality that made fans worldwide feel seen – will live on.

The Spaceman has left Earth, but his music continues to provide comfort, joy, and inspiration to new generations. In every guitar solo that echoes through the speakers, in every young person who picks up a guitar and thinks "I can do this," Ace Frehley remains.

And for me, as for many others, the feeling is personal: Thank you for everything, Ace. Thank you for being there, for playing, and for making the world a little more electric. I will never forget you!

"Rock soldiers come and rock soldiers go. And some hear the drum and some never know. Rock soldiers! How do we know? Ace is back and he told you so..."

 

Jan Sundstedt

Ace Frehley – discography (1974–2024)

With KISS
1974 – KISS
1974 – Hotter Than Hell
1975 – Dressed to Kill
1975 – KISS: Alive! (live)
1976 – Destroyer
1976 – Rock and Roll Over
1977 – Love Gun
1977 – Alive II (live + four newly written tracks and one cover)
1978 – Double Platinum (compilation)
1978 – Ace Frehley (solo album under the KISS name)
1979 – Dynasty
1980 – Unmasked
1981 – Music From "The Elder"
1982 – Killers (compilation plus four newly written tracks) – participates only with name and character
1982 – Creatures of the Night (participates only with name and character)
1996 – You Wanted the Best, You Got the Best! (compilation, reunion period)
1998 – Psycho Circus

With Frehley's Comet
1987 – Frehley's Comet
1988 – Live+1 (EP/live)
1988 – Second Sighting
1989 – Trouble Walkin' (credited to Ace Frehley but often counted as part of the Comet era)

Solo albums
2009 – Anomaly
2014 – Space Invader
2016 – Origins Vol. 1 (cover album)
2018 – Spaceman
2020 – Origins Vol. 2 (cover album)
2024 – 10,000 Volts