“Ask the Mask” is a documentary series aired on the British public service broadcaster Channel 4, where anonymous interviewees don masks resembling animals to prevent identification.
Usually the interviewees are whistleblowers, ex-offenders or other anonymous witnesses to abuses and scandals they have experienced or know about, but the latest episode features a different interviewee: a “noble pedophile” – as he describes himself – who says he is sexually attracted to children as young as seven.
– Im a pedophile, but that does not make me into a molester, he says.
The pedophile, referred to in the program as “Mouse”, wears a mouse mask. He claims he has never molested a child – but it is something he often fantasizes about.
He also tells us that he has done volunteer work with children and also admits that he was attracted to the children he worked with.
– A ‘virteous’ pedohpile is someone who has a sexual atraction towards children but who has decided that that shouldnt mean that they should abuse a child.
“Mouse” goes on to say that he has had sexual relations with adults – but has fantasized about actually having sex with a child. He also claims that “there are adults who like this”.
🚨 | 🤮 They Are Literally Trying To Normalise Pe**philia
Some pe*os are describing themselves as “Virtuous Pe**philes”.
They even expect people to accept them as normal even though they’re attracted to minors.
Criticism of the program is widespread, and is mainly directed at the concept of portraying a “good pedophile” in line with a subversive effort to normalize the disorder as a phenomenon and sexual orientation.
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The children’s series Cocomelon attracts young children around the world with its colorful animations and catchy songs. Despite its enormous popularity, criticism of the series is growing, with some warnings that its extreme editing could have a very negative effect on children’s brains.
More and more parents and experts are questioning the extremely fast pace of Cocomelon and whether the mass-produced style is really good for young minds, or whether it risks overstimulating children and making them restless.
One of the major objections to Cocomelon is its rapid editing technique, where camera angles change every two to three seconds. This is a hectic and exaggerated pace that is unfortunately all too common in modern children’s entertainment, but here it is taken to a new level.
According to a study by PubMed Central (PMC), the executive functions of 4-year-olds, such as self-control and working memory, are at risk of being severely impaired after being exposed to fast-paced clips for too long.
Many parents also report that their children become agitated after watching children’s series such as Cocomelon, and there is plenty of criticism on social media platforms such as X.
Other research also indicates that rapid camera and clip changes can negatively affect young children’s concentration. The fast pace is no accident either. Cocomelon is designed to capture children’s attention, but some argue that it now goes too far.
According to Findmykids.org, the constant impressions can trigger dopamine release, causing children to seek the same quick rewards even outside the screen – something that can make it harder for them to focus on calmer activities such as reading or playing.
In addition to the pace, the series’ aesthetics have also been criticized. Like most animated productions today, the characters have disproportionately large heads and overly cheerful expressions, which some find unpleasant.
For many parents and viewers, it feels like the series is made on an assembly line where quantity takes precedence over quality, resulting in an aesthetic that is more frightening than charming.
Opinions are divided
Unlike traditional cartoons such as Scooby-Doo, Cocomelon is animated in a way that prioritizes quantity over quality, which is evident in the disproportionate characters and the assembly line feel.
Opinions about Cocomelon are divided. Some experts, such as Rebecca Cowan at Walden University, argue that there is insufficient evidence to single out Cocomelon as the problem – instead, it is total screen time that may be harmful.
– Without empirical research on the show Cocomelon, there is no data to substantiate claims that this show is overstimulating due to the pace of the scenes, she says.
But others warn that the series’ pace and overstimulating elements can have a very negative impact on children’s development, especially in terms of concentration and calmness.
Cocomelon may seem like an easy solution for entertaining young children, but it is worth considering what the fast pace and mass-produced style do to young viewers.
In William Shakespeare’s birthplace of Stratford-upon-Avon, England, a much-criticized reassessment of the world-famous playwright’s cultural heritage is underway.
The Shakespeare Birthplace Trust has decided to “decolonize” its substantial and extensive collection of Shakespeare-related material, among other things, on the grounds that this allegedly risks promoting “white supremacy”.
It says the decision involves exploring the impact of empire and colonialism on the museum’s collections, and how Shakespeare’s works have contributed to these narratives.
The foundation believes that some items in the collections may contain “language or depictions that are racist, sexist, homophobic, or otherwise harmful”, reports The Standard.
The initiative is a result of a study conducted with Dr Helen Hopkins of the University of Birmingham in 2022. The study criticized the foundation’s attractions in Stratford for portraying Shakespeare as a “universal genius” – an idea that allegedly “benefits the ideology of white European supremacy”.
As part of the initiative, the Shakespeare Foundation plans to diversify its focus by celebrating global cultural contributions, such as Bengali poet Rabindranath Tagore and Bollywood dance inspired by “Romeo and Juliet”.
Dismantling history
However, critics say the decision is part of a broader trend to decolonize cultural institutions. Concerns are expressed that such a reappraisal of historical figures like William Shakespeare could lead to the dismantling of influential white figures in the West, rather than promoting a true understanding of the complex cultural heritage.
The Shakespeare Birthplace Trust stresses that the project should not be seen as a critique of Shakespeare’s work, but aims to reassess the historical context of the museum’s collections and artifacts.
However, “decolonizing” Shakespeare’s legacy risks not only losing the historical context of the world-famous poet’s work, according to analysts. It also risks distorting the cultural significance of one of the most influential writers of all time.
Apple’s voice-to-text system has caused a stir among iPhone users.When the word “racist” is dictated, “Trump” briefly appears before it is corrected – something Apple now says it is looking into.
Tech and globalist giant Apple says it is working feverishly to fix the suspicious bug in its dictation feature. The bug, which first came to light on Tuesday, results in the iPhone temporarily displaying the word “Trump” when users utter “racist” via voice input, reports American CNN, among others.
Watch the video above to see how an iPhone behaves when the TNT journalist speaks the word “Trump”.
Several iPhone owners have reported and confirmed the strange event on social media. Videos demonstrating the bug have quickly spread, raising questions about the reliability of the technology and possible political implications.
Apple admits the bug
Apple has confirmed the problem in a statement, claiming that it is all due to an incorrect interpretation in the speech recognition model.
– We are aware of an issue with the speech recognition model that powers Dictation and we are rolling out a fix today, said a company spokesperson.
According to Apple, the bug is caused by the system incorrectly suggesting words with phonetic overlap. The company claims that the Dictation feature sometimes shows an incorrect word before quickly correcting it to the user’s intended word
Coincidentally, the bug came to light the day after Apple announced a massive $500 billion investment in US facilities and infrastructure. Donald Trump has stated that he sees the investment as a result of his tariff policy.
The company remains positive about “Woke”
Meanwhile, Apple shareholders voted down a proposal to end the company’s so-called DEI (“diversity, equity and inclusion”) initiative which is often linked to left-wing radicalism.
The incident marks another problem for Apple since the launch of their new AI system Apple Intelligence. The company was recently forced to disable a feature that summarized news headlines due to inaccuracies.
John Burkey, founder of AI startup Wonderrush.ai and former member of Apple’s Siri team, expresses skepticism about the company’s explanation.
– This feels like a significant prank. The pressing question is whether this was introduced into the data or embedded in the code.
Other experts question Apple’s explanation about phonetic similarity between words. Peter Bell, a professor of speech technology at the University of Edinburgh, says it’s more likely that the underlying software was modified by one or more Apple employees.
Bond producers Michael G. Wilson and Barbara Broccoli, owners and managers of the production company EoN productions, announced last week that they are handing over creative control of the James Bond films to globalist Jeff Bezos’ corporate giant Amazon.
Concerns are being expressed by film enthusiasts that 007 is now likely to become even more “politically correct”.
After decades of 25 more or less iconic (official) films under the direction of Eon Productions, Michael G. Wilson and Barbara Broccoli, the saga of James Bond took a highly unexpected turn last week for many fans when the globalist company Amazon, which already in 2022 acquired MGM (the Bond distributor) for $8.45 billion, has now formally also obtained creative control over the Agent 007 franchise.
Amazon bought MGM mainly to strengthen its Prime Video streaming service, but according to the latest information, the deal also includes direct influence over the creative direction of the Bond universe. The news, also confirmed by Eon Productions, has almost caused shockwaves among devoted fans.
Among the concerns expressed within the Bond community is that, in addition to new films, the franchise may expand to include TV spin-offs of various side characters, digital content and elements of radical left-wing cultural politics – known as woke, DEI and third-wave feminism.
James Bond (Daniel Craig) has defeated many major villains to date, but now seems to have met his match in the globalist company Amazon. Photo from the movie “No Time To Die”.
Eon Productions, which has controlled Bond productions since 1962, will reportedly continue to play a central role in the film productions. However, critics doubt this, as one of the producers, Michael G. Wilson, 83, has now formally declared his retirement.
– With my 007 career spanning nearly 60 incredible years, I am stepping back from producing the James Bond films to focus on art and charitable projects. Therefore, Barbara and I agree, it is time for our trusted partner, Amazon MGM Studios, to lead James Bond into the future, comments Wilson.
Concerns are also expressed that Amazon may water down the concept by planning more series and spinoffs on Prime Video, as previously discussed for example in the form of a series about CIA agent Felix Leiter. There are also hints that the Bond films could be released directly on Prime, despite Eon’s adamant insistence that the main films premiere in cinemas.
“Bond is dead”
On social media, reactions to what was, for the vast majority of supporters, a shocking decision, have been passionate. “Amazon will destroy everything that makes Bond unique – he will become an algorithmic action hero”, wrote one fan on X. However, some are more hopeful. “More stories in the Bond world could work, if they respect the core”, comments another user.
In Reddit threads, there is speculation that Bond could now very likely become even more woke, and/or follow similar trends to Marvel’s expanded universe.
Trying to remain optimistic but it’s hard not to picture a room full of 20-something TV execs spitballing ideas for a flood of new James Bond Universe content. pic.twitter.com/4U4XJj3Ied
Mike Hopkins, head of Prime Video and Amazon MGM Studios, is unsurprisingly optimistic.
– Since his theatrical introduction over 60 years ago, James Bond has been one of the most iconic characters in filmed entertainment.We are grateful to the late Albert R. Broccoli and Harry Saltzman for bringing James Bond to movie theatres around the world.
According to reports from industry sources, the tech giant paid a staggering sum of an additional $1 billion to Eon Productions to acquire the exclusive rights. The MGM purchase certainly included the distribution rights of the James Bond films, but the new deal gives Amazon a clearer mandate to develop content outside the movies.
Analysts say Amazon’s move reflects a trend of streaming companies buying iconic franchises to attract subscribers. However, the risks are high – Bond is a cultural institution with demanding fans. While Amazon sees opportunities in expanding the Bond universe, questions remain about how the very essence of Agent 007 will be allowed to be preserved – including a dash of political incorrectness?
The question now echoing through the movie world is: How will Bezos’ globalist empire shape the future of the world’s most famous secret agent? Will 007’s martini still be shaken, not stirred, in Amazon’s hands?
Founders: Albert R. "Cubby" Broccoli and Harry Saltzman
Current owners: Barbara Broccoli and Michael G. Wilson
Headquarters: Eon House, 138 Piccadilly, London, England
Activities.
Primary focus on the production of the James Bond film series. Total of 25 official films produced between 1962 and 2021. First film: "Dr. No" (1962). Last film: "No Time to Die" (2021).
Other notable productions: "Chitty Chitty Bang Bang" (1968), "Call Me Bwana" (1963), West End musical "Once" (2013)
Collaborations.
Long-term partnership with United Artists and later MGM
Joint venture with Amazon MGM Studios for the James Bond franchise since February 2025
Cultural legacy.
Responsible for establishing James Bond as one of the most successful and enduring film franchises in history
Shaped the modern action genre and spy film
Other.
The James Bond franchise has generated over $7 billion in box office revenue globally
Extensive merchandising and licensing of the Bond brand
Awards: Multiple Oscar nominations including wins. Mainly technical credits such as special effects and sound mixing
BAFTA awards, including 2013's 'Skyfall', for Outstanding British Film
