Sunday, August 10, 2025

Polaris of Enlightenment

The volcano where folklore meets nature’s wonders

Published 8 June 2025
Svöðufoss waterfall with Snæfellsjökull in the background.
8 minute read

One of nature’s true wonders is the Icelandic volcano Snæfellsjökull. It is best known from Jules Verne’s novel “Journey to the Center of the Earth”, but even in modern times it is a very popular tourist destination.

Icelandic folklore emphasizes the importance of visitors showing respect for the hidden people who live there, otherwise things could go very badly.

The Snæfellsnes peninsula in western Iceland is lined with glistening glaciers, waterfalls, and high cliffs. Small picturesque villages make up the population of the peninsula, which is often referred to locally as “Iceland in miniature”. Even from the murmuring urban buzz of Reykjavik, you can glimpse the glacier-covered volcano Snæfellsjökull. The peak measures 1,446 meters above sea level and is the central part of the national park that was established around the area in 2001. The national park has a dizzying and unusual variety of nature, including moss-covered lava fields and pebble beaches. The 700,000-year-old volcano is considered active, despite not having erupted for around 1,800 years.

To the center of the Earth

The place is perhaps best known in literature. In 1864, French author Jules Verne published his adventure novel “Journey to the Center of the Earth”, or “Voyage au centre de la Terre”. in which German professor Lidenbrock finds old Icelandic documents describing how to reach the center of the Earth. Together with his nephew Axel and their guide Hans, they travel to Snæfellsjökull, where the journey to the center of the Earth begins. The book is considered a classic and one of the most popular adventure books of all time.

Gatklettur. Photo: iStock/Irina Danilova

High peaks and deep caves

Unfortunately, there is no path to the center of the Earth in the volcano (as far as we know…). However, it is perfectly possible to hike to the top. It takes about eight hours there and back. In the fishing village of Hellnar, there is information about the hiking trail to the top and also a large number of other trails you can follow around the outstanding natural surroundings.

The combination of volcanic terrain, glacial influence, and proximity to the sea creates a unique ecosystem that is home to a variety of life forms. On the hiking trails, you may encounter seals, puffins, or mountain foxes. It is also not uncommon to see dolphins and killer whales in the sea. The volcanic climate is harsh, especially near the volcano, but it also demonstrates nature’s incredible ability to adapt. Closer to the volcano, mosses and lichens dominate, as they can withstand the cold. At lower altitudes, Arctic wildflowers grow, such as Icelandic thyme and blue sea lavender.

The area also has a number of beautiful waterfalls that set the tone for the landscape. One example is the Svöðufoss waterfall, located near the glacier. It is ten meters high and, thanks to the surrounding glaciers, has a rich water flow all year round.

At Djúpalónssandur, you enter a real lava landscape. There are various rock formations created by lava long ago. If you follow Nautastígur, the bull’s path, you will come to the odd rock Gatklettur, which has a large hole in it, and through the hole you can see the volcano in the background. The area also has a bunch of lagoons with fresh water, and if you go down to Black Lava Pearl Beach, you’ll see a bunch of smooth black stones. These are called Djúpalónsperlur, which means pearls from Djúpalón. The lava stones have been smoothed out by the sea.

Near the volcano is also the lava cave Vatnshellir. The 200-meter-long cave was formed about 8,000 years ago by an eruption. Inside, you can learn about Iceland’s geology and what kind of trolls lurk down there. At the deepest point, you can experience total darkness when the lights are turned off.

Among elves and trolls

Speaking of trolls, both Snæfellsnes and Snæfellsjökull are linked to many Icelandic folk tales. According to the saga of Bård Snæfellsas, in Icelandic Bárðar saga snæfellsáss, it was the half-giant Bárður Snæfellsás who founded the peninsula and gave it its name. He is described as being from a royal line of giants and trolls, but also half human.

Bárðar’s father, King Dumbar, was half titan and half giant, who kidnapped the human Mjöll to be his wife. In Norway in the year 900, Bárðar was born, the eldest of the siblings. He was a handsome man and was often told that he resembled his beautiful mother Mjöll. In Iceland, it is said that the most beautiful, whitest snow was named after his mother’s skin color – Mjöll. According to legend, the word “Mjöll” is still used to describe beautiful white snow falling in calm weather.

Statue of Bárður Snæfellsás. Photo: Theo Crazzolara/CC BY 2.0

Bárðar settled on the peninsula with his wife, his nine daughters, his half-brother Þorkell, and his two sons. According to legend, the nephews, named Rauðfeldr and Sölvi, and the daughters often played together, but one day things went wrong. Both nephews were playing with his daughter Helga when Rauðfeldr pushed her hard. She fell against an iceberg that was drifting toward the pack ice in the strong wind. Then she disappeared into the fog. When Bárðar heard about the incident, he rushed to his half-brother’s home and grabbed both nephews, who were eleven and twelve years old, by the arms. He then threw Rauðfeldr down a large ravine, killing the young boy. Then he threw Sölvi off a cliff, where the boy died when his skull was crushed. To this day, the ravine is called Rauðfeldsgjá and the cliff Sölvahamar. Þorkell now sought revenge on his brother and they fought. Bárðar broke his half-brother’s leg, who then decided to leave Snæfellsnes and the people for good. After this family tragedy, Bárðar disappeared into the Snæfellsjökull glacier and became the protector of the area. Even today, he is said to only come out to help people in need, for example against trolls and other creatures. What Bárðar did not know was that his daughter Helga had actually survived and ended up in Greenland, where she had her own adventures. She later returned to visit her father in the glacier.

Much of the peninsula is named after Bárðar, and the entire area is strongly linked to the tragic saga of his life. In the fishing village of Arnarstapi, there is a statue of the half-giant. If you visit the fishing village, we also recommend taking a look at the spectacular works of art on the coast, namely the basalt cliffs that were created entirely by the force of the sea. Basalt is a type of lava rock that is formed when lava cools.

There are also other creatures associated with the place. Like the rest of the Nordic countries, Iceland is strongly influenced by folklore, which is still an important part of the culture today. These creatures are strongly connected to nature and are often seen as its protectors. Many stories tell of how they can influence people who visit the place, both by protecting and warning them, but also by punishing those who do not show respect.

Giants and trolls are said to live around and inside the mountain. There are also said to be plenty of huldufolk, who are said to live alongside humans and are often described as elves. They are often called “the hidden people” because they are invisible to the ordinary human eye. They are said to resemble humans in appearance, but are more beautiful, taller, and slimmer. Huldufolk are described as superhuman but live completely normal lives in their own sphere, just like humans.

The red-colored, gigantic rock Söngklettur, which translates to “the singing stone”, at Djúpalónssandur is said to be the elves’ church. According to legend, this is where Bárður and his men first arrived, and it got its name because the cave seemed to respond to everything they said with an echo. As long as you remember to ask the elves for permission, it is perfectly fine to stay around and enter the cave. Respect is strongly emphasized in Icelandic folklore, where it is warned that things can go very badly if you do not show respect for the invisible.

Inside, there are numerous carvings, some over 500 years old. Many people have used the cave as shelter over the years and have carved small messages or their initials into the walls. However, it is forbidden to carve new messages.

Photo: Eric Kilby/CC BY-SA 2.0

One of the most powerful places

Some believe that the Earth is divided into seven major energy centers, or “chakra points”. In New Age circles, Snæfellsjökull is often described as the heart chakra, and for this reason, many spiritual practitioners and others are drawn to the volcano – to gather strength, promote healing, perform ceremonies, or simply meditate.

Stones like Djúpalónsperlur are common all along the coast and are often called “orkusteinar”, or power stones, which many people collect and take home with them. Some believe that they are protected and should not be taken from the site. For example, it is said that huldufolk live around Djúpalónssandur, as described above, and that the black stones found around the site should therefore not be taken. Some tell of how they took a stone home and were then struck by misfortune.

It is also common to take your own crystals with you and charge them around the volcano, as the energy is said to be extremely powerful.

Many visitors say they find it difficult to sleep on the peninsula. Some believe this may be due to the magnetic energy emanating from the volcano. The volcano is also said to have a power that makes people want to return there again.

Djúpalónsperlur. Photo: Tim Hodson/CC BY 2.0

Aliens visiting

Due to the powerful energies of the place, many have speculated that Snæfellsjökull is where aliens would visit if they came to Earth. At least hundreds of people were convinced of this during the winter of November 5, 1993, when people from all over the world traveled to the volcano to witness a visit from aliens, according to Reykjavik Grapevine. According to reports, telepathic individuals had been in contact with other planets and received this specific date and location in their minds. Five hundred people from different parts of the world were so convinced that they made their way there on this cold winter evening, but no aliens came to visit, at least as far as we know. In a spirit of goodwill, fireworks were set off as a symbol of intergalactic friendship. The question is, however, whether the bangs in the air really gave a particularly friendly impression…

Shipwrecks

When visiting the area around Djúpalónssandur, you can also see pieces of iron lying on the beach. These are from the British trawler Epine GY7, which sank on March 13, 1948. On that fateful night, a terrible snowstorm caused the ship to lose control and many fell overboard. Residents from nearby villages managed to pull a rope to the sunken ship and rescued five men. However, 14 of the men on board did not survive, and several of them are still lost at sea.

The remains of the trawler have since remained on the beach as a memorial and are protected, which means that they cannot be moved or touched.

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Time To Rock delivers

This year's edition of the rock festival Time To Rock took place in Knislinge, a small town in Skåne, southern Sweden. During four July days, The Nordic Times' cultural reporter Mikael Rasmussen was on site to experience a festival filled with emotional artistry that blends well with a strong familial community spirit – and of course: Loads of music!

Published 8 August 2025
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5 minute read

The four days were filled with community, appreciation and a tremendous amount of music. It’s friendly, cozy and the visitors who choose to attend Time To Rock do so with care. The festival is like a big family that welcomes and integrates. It strikes most visitors what a thoughtful spirit prevails within the constructed community called Time To Rock.

The musical acts are numerous and varied where many tastes are truly satisfied. It’s especially charming to observe when children also come along and show appreciation as well as provide humor in that way that only children can when, for example, their favorite band performs. Smash Into Pieces attracted children and adults alike where the entire festival area swayed as both seated and standing audience members sang along, applauded and smiled in agreement at how well everything fits like a glove.


Advertising partnership with Brokamåla


The promised land of camping life

The festival is also reaching its limit in terms of accommodation for those who choose to camp. There were 300 more overnight guests than last year and now the Time To Rock management needs to look for land alternatives. This means the festival can accommodate approximately 1,100 camping guests. But the land issue becomes a tough nut to crack, expresses Martin, the camping general maestro, who guided Mikael Rasmussen around the camping area in his fine golf cart. There’s a lot of recycling during these days where a collaboration with a dealer in Kristianstad, Sweden enables them to even return cans from Germany, for example, precisely because there’s such a quantity and the metal is valuable, just as valuable as the metal music that’s played and performed from the stages.

For example, the German veteran band Dirkschneider performed with Udo Dirkschneider and his characteristic workshop height that thereby lifted the entire atmosphere to the audience’s delight. Their repertoire on this occasion was to play all the songs from the legendary album Balls To The Wall which celebrated its 40th anniversary. There was also an opportunity for the audience to rock out to Dirkschneider’s encore conducting the song Princess Of The Dawn.

Three stages with 47 bands where most of the playing schedule held up health-wise except for Black Ingvars who we missed with their interpretations of children’s songs, schlager and dance band swing in incredibly heavy hard rock arrangements. At short notice, the band Alien replaced Black Ingvars’ absence instead. It’s enjoyment for all the senses with all the bands that perform. There are wonderful bands like Quireboys who offered beautiful southern rock with elements of very competent rock harmonica. The band Oomph thundered like Rammstein and the singer offered theatrical looks and expressions. More senses were also satisfied when Cobra Spell performed in latex, leather and managed to conceal the most intimate parts in kinky leather and latex as well as their instruments.

Crescendo on the fourth day

Clearly the best was the last day of the festival’s four fully packed days of beer, food, camping and musical equilibrium. Always equally fantastic to see and hear Mikkey Dee from legendary King Diamond then Motörhead and now frequently touring with Scorpions, where he traveled from Hannover to Knislinge, Sweden to perform songs from the time with Motörhead.

It’s a shame about the bands that have to perform bad songs to empty audiences while well-composed melodies are a pride to perform such as Ace Of Spades, said Mikkey with a twinkle in his eye.

What song should we play now then, Mikkey asked the audience. Ace of Base, came the joking response from the audience.

The program continued and was followed thereafter by, for example, Jean Beauvoir, the children’s favorite Smash Into Pieces with delicious catchy songs, cool computer graphics and fire show. Then Majestica with fantastic guitar equilibrium by Tommy Johansson like Yngwie Malmsteen and with a singing voice that in its highest registers conjures images of Judas Priest’s Rob Halford himself. Yes, these are truly powerful experiences and the program delivers and then tops it off with Myrath who alternates oriental dance and musical elements in their metal-based melodic compositions.

The charismatic theater and drama-dressed singer Noora Louhimo in Battle Beast gives her band and the festival’s visitors new dimensions and it would be desirable if the musicians also knew to match the artistic drama queen Noora. New as master of ceremonies this year was Orvar Säfström.

Welcome to your comfortable comfort zone! Orvar encouraged the audience in a hymn to the legendary departed Lemmy from Motörhead. The audience was urged to look up to the sky because that’s where he is, stated Säfström, and nowhere else!

Another encounter that touches my soul and heart is with one of the festival’s most frequent visitors. The person is named Jens Björk and we can all see him usually sitting in his wheelchair on the designated wheelchair ramps with a good view of the stages and artists. At regular intervals, Jens wants to film with his smartphone or stand up and groove to the rhythmically heavy hard rock and metal songs that reach him perhaps deeper than the rest of us. Jens suffered a stroke and subsequent aphasia about 10 years ago and has since undergone various therapeutic treatments.

Jens constantly works on practicing language, movements and social contexts. It feels extra nice when trust is built up and our mutual patience means we understand each other and music is like wisdom at such a frequency that it can only be perceived. Therefore music can be healing and curative, and despite the high sound volume streaming from the speakers at Time To Rock, the ears are not damaged but instead the tones reach deep into the audience’s bodies. And Jens texts me a couple of days after Time To Rock packed up and writes like this:

“Good evening! Jens here with the wheelchair. Now I’ve woken up after a wonderful festival in Knislinge and the last band Sonata Arctica – really lovely end to the festival”.

This certainly puts a finger on how important these fantastic festivals are!

Bows & curtseys

So thanks to the entire Time To Rock management with festival general Andreas Martinsson at the helm, press manager and everyone’s Andreas Hygge Hügard to all those who built up the festival environment, host and security personnel, emergency services such as police and ambulance who also like the church had a welcoming event element where those who wanted to familiarize themselves with its so important functions. These good people were Time To Rock 2025 and visitors already express a longing for Knislinge’s oasis. May all good energies flow!

And we also put in a request for next year — the fantastic goth rock band Fields Of The Nephilim. Thanks in advance!

 

Mikael Rasmussen alias Artist Razz

The Hobbit first edition discovered in UK home fetches €50000

Published 7 August 2025
– By Editorial Staff
The first edition released in 1937 was printed in only 1,500 copies.
2 minute read

A rare first edition of J.R.R. Tolkien’s “The Hobbit” has been sold for £43,000 (approximately €50,000). The book was discovered by chance in a house in Bristol, England.

“The Hobbit”, which was later followed by “The Lord of the Rings”, tells the story of the hobbit Bilbo Baggins who embarks on an adventure with a group of dwarves to reclaim treasure from the dragon Smaug. The book has become immensely popular, selling over one hundred million copies and has also been adapted into films during the 2010s. The first edition of the book, released in 1937, was originally printed in only 1,500 copies. Today, only about a hundred copies of the first edition are believed to remain in the world.

During a routine house clearance conducted by auction house Auctioneum, the book was discovered by chance in a house in Bristol, England. Caitlin Riley, the auction house’s specialist in rare books, randomly pulled out a green book from the bookshelf.

It was clearly an early Hobbit at first glance, so I just pulled it out and began to flick through it, never expecting it to be a true first edition, she told The Guardian.

“Very special book”

The copy is bound in light green cloth and features black and white illustrations by Tolkien. Riley soon realized it was a first edition. It was also in incredibly fine condition, which is uncommon since most of these books are usually worn, especially since it’s a children’s book.

The book was auctioned with a starting price of £10,000, equivalent to approximately €11,500. Bidders from around the world drove the price up to more than four times what the auction house had expected. Finally, the book sold for £43,000, approximately €50,000.

It’s a wonderful result for a very special book.

A poem about the children in Gaza while the world watches

The genocide in Gaza

The children cry from hunger and dream of peace – but the world remains silent. Swedish artist and poet Malin Sellergren depicts the unbearable reality of children in this poem.

Published 5 August 2025
2 minute read

Daily terror, daily pain,
children cry in Gaza’s rain.
Six thousand trucks with food denied,
they starve while waiting on the side.

The bombs fall hard, the homes are gone,
on the cold ground they sleep until dawn.
At night they scream from endless fear,
by day they cry with hunger near.

When will this torment find its end?
When will the broken hearts still find mend?
No bread to eat, no life to live,
a mother’s boy had love to give.

He thought, I made it, almost there!
but bullets struck and stilled his air.
So many tried for food that day,
the soldiers came and shot their way.

And in the streets, so many fall,
just children, innocent through all.
For they were born in Palestine,
their lives erased, erased in line.

The world’s afraid, its leaders weak,
they whisper low, but dare not speak.
Sanctions stall, while time runs thin,
should we boycott oranges… or tangerines?

Yet weapons flow from west to east,
while crumbs are dropped, a guilty feast.
Millions starve, their hope is small,
the world looks on, and does not call.

No one dares to say “Enough!”
Israel’s hand is far too tough.
And those who speak are smeared with hate,
their voices drowned, their words too late.

Meanwhile children pay the price,
their lives are bartered, sacrificed.
Leaders claim this land their own,
they crush the seeds the kids have sown.

But still, among the ash and flame,
the children whisper freedom’s name.
Though caught in Gaza on the street
some of their hearts still beat.

 

Malin Sellergren, PoeticArtstories

Artists flee Spotify after Ek’s defense investment

The future of AI

Published 30 July 2025
– By Editorial Staff
1 minute read

Spotify founder Daniel Ek’s investment in the German defense company Helsing is now prompting several international artists to leave the music streaming service in protest. The Australian psychedelic rock band King Gizzard and the Lizard Wizard is the latest name to remove their music from the platform.

Daniel Ek, who is also chairman of the board at Helsing, led an investment of €600 million earlier this year in the German company that specializes in AI-driven autonomous combat solutions. The technology is used for drones and underwater surveillance systems, among other applications.

King Gizzard and the Lizard Wizard announced the decision on Instagram with the words “Fuck Spotify”, explaining that their latest demo recordings will only be available on Bandcamp.

“Spotify CEO Daniel Ek invests millions in Al military drone technology. We just removed our music from the platform”, the band wrote.

The California-based band Xiu Xiu and San Francisco group Deerhoof have made the same choice. Deerhoof expressed their position clearly: “We don’t want our music killing people. We don’t want our success being tied to AI battle tech”.

The protest reflects the music industry’s long-standing ambivalence toward Spotify’s dominant position and impact on artists.

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