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The Little Mermaid in politically correct packaging premiering in May

Cultural revolution in the West

Published 13 April 2023
– By Editorial Staff

Danish author H.C. Andersen’s classic story The Little Mermaid (Den lille havfrue) was made into a cartoon version by The Walt Disney Company in 1989.

On May 26, the film will be re-released in Sweden and has been redesigned in a digitally animated form, including making the mermaid dark-skinned and revising the sequence where Prince Eric is encouraged to kiss Ariel.

Over the past decade or so, the Walt Disney Company has acquired a number of other film companies and have as a result gained control over a number of lucrative film and television franchises. A recurring feature in Disney’s repertoire is the company’s remakes of cartoon classics, including computer-animated remakes like 2019’s The Lion King and feature films like 2016’s The Jungle Book.

This year the turn has come to The Little Mermaid which, like most of its rebranded predecessors, has also been the subject of fierce criticism for politicization. Youtube had to block the dislike button for the film’s trailer after 1.5 million thumbs down and the film has also been heckled on Twitter under the hashtag #notmyariel.

Among other things, two of composer Allan Menken’s beloved songs will be revised, including the sequence where Prince Eric is encouraged to kiss the mermaid Ariel, as it has been suggested that this could be interpreted as if the Prince is “forcing himself on her”, and when the antagonist Ursula tries to get Ariel to give up her voice.

There are text changes in “Kiss the Girl”, because people have become very sensitive to the idea that (Prince Eric) would somehow force himself upon (Ariel). “We’ve made some changes to ‘Poor Unfortunate Souls’ regarding lines that might somehow make young girls feel like they’re not allowed to speak unnecessarily, even though Ursula is clearly manipulating Ariel to give up her voice, Menken himself said in an interview with pop culture magazine Vanity Fair.

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Shakespeare museum “decolonizes” – allegedly promoting “white supremacy”

Cultural revolution in the West

Published 18 March 2025
– By Editorial Staff
William Shakespeare

In William Shakespeare’s birthplace of Stratford-upon-Avon, England, a much-criticized reassessment of the world-famous playwright’s cultural heritage is underway.

The Shakespeare Birthplace Trust has decided to “decolonize its substantial and extensive collection of Shakespeare-related material, among other things, on the grounds that this allegedly risks promoting “white supremacy”.

The Shakespeare Birthplace Trust in Stratford-upon-Avon has decided to “decolonize” its collections in a bid to create a more “inclusive museum experience”, according to The Telegraph.

It says the decision involves exploring the impact of empire and colonialism on the museum’s collections, and how Shakespeare’s works have contributed to these narratives.

The foundation believes that some items in the collections may contain “language or depictions that are racist, sexist, homophobic, or otherwise harmful”, reports The Standard.

The initiative is a result of a study conducted with Dr Helen Hopkins of the University of Birmingham in 2022. The study criticized the foundation’s attractions in Stratford for portraying Shakespeare as a “universal genius” – an idea that allegedly “benefits the ideology of white European supremacy”.

As part of the initiative, the Shakespeare Foundation plans to diversify its focus by celebrating global cultural contributions, such as Bengali poet Rabindranath Tagore and Bollywood dance inspired by “Romeo and Juliet”.

Dismantling history

However, critics say the decision is part of a broader trend to decolonize cultural institutions. Concerns are expressed that such a reappraisal of historical figures like William Shakespeare could lead to the dismantling of influential white figures in the West, rather than promoting a true understanding of the complex cultural heritage.

The Shakespeare Birthplace Trust stresses that the project should not be seen as a critique of Shakespeare’s work, but aims to reassess the historical context of the museum’s collections and artifacts.

However, “decolonizing” Shakespeare’s legacy risks not only losing the historical context of the world-famous poet’s work, according to analysts. It also risks distorting the cultural significance of one of the most influential writers of all time.

Apple phones suggest “racist” as an alternative to “Trump”

Cultural revolution in the West

Published 28 February 2025
– By Editorial Staff
An iPhone suggests “racist” when the word “Trump” is spoken. In the background, the Apple headquarters in California.

Apple’s voice-to-text system has caused a stir among iPhone users. When the word “racist” is dictated, “Trump” briefly appears before it is corrected something Apple now says it is looking into.

Tech and globalist giant Apple says it is working feverishly to fix the suspicious bug in its dictation feature. The bug, which first came to light on Tuesday, results in the iPhone temporarily displaying the word “Trump” when users utter “racist” via voice input, reports American CNN, among others.

Watch the video above to see how an iPhone behaves when the TNT journalist speaks the word “Trump”.

Several iPhone owners have reported and confirmed the strange event on social media. Videos demonstrating the bug have quickly spread, raising questions about the reliability of the technology and possible political implications.

Apple admits the bug

Apple has confirmed the problem in a statement, claiming that it is all due to an incorrect interpretation in the speech recognition model.

– We are aware of an issue with the speech recognition model that powers Dictation and we are rolling out a fix today, said a company spokesperson.

According to Apple, the bug is caused by the system incorrectly suggesting words with phonetic overlap. The company claims that the Dictation feature sometimes shows an incorrect word before quickly correcting it to the user’s intended word

Coincidentally, the bug came to light the day after Apple announced a massive $500 billion investment in US facilities and infrastructure. Donald Trump has stated that he sees the investment as a result of his tariff policy.

The company remains positive about “Woke”

Meanwhile, Apple shareholders voted down a proposal to end the company’s so-called DEI (“diversity, equity and inclusion”) initiative which is often linked to left-wing radicalism.

The incident marks another problem for Apple since the launch of their new AI system Apple Intelligence. The company was recently forced to disable a feature that summarized news headlines due to inaccuracies.

John Burkey, founder of AI startup Wonderrush.ai and former member of Apple’s Siri team, expresses skepticism about the company’s explanation.

– This feels like a significant prank. The pressing question is whether this was introduced into the data or embedded in the code.

Other experts question Apple’s explanation about phonetic similarity between words. Peter Bell, a professor of speech technology at the University of Edinburgh, says it’s more likely that the underlying software was modified by one or more Apple employees.

James Bond becomes an ultra-globalist

Cultural revolution in the West

Published 25 February 2025
– By Editorial Staff
James Bond and his boss M have now become part of the Amazon empire.

Bond producers Michael G. Wilson and Barbara Broccoli, owners and managers of the production company EoN productions, announced last week that they are handing over creative control of the James Bond films to globalist Jeff Bezos’ corporate giant Amazon.

Concerns are being expressed by film enthusiasts that 007 is now likely to become even more “politically correct”.

After decades of 25 more or less iconic (official) films under the direction of Eon Productions, Michael G. Wilson and Barbara Broccoli, the saga of James Bond took a highly unexpected turn last week for many fans when the globalist company Amazon, which already in 2022 acquired MGM (the Bond distributor) for $8.45 billion, has now formally also obtained creative control over the Agent 007 franchise.

Amazon bought MGM mainly to strengthen its Prime Video streaming service, but according to the latest information, the deal also includes direct influence over the creative direction of the Bond universe. The news, also confirmed by Eon Productions, has almost caused shockwaves among devoted fans.

Among the concerns expressed within the Bond community is that, in addition to new films, the franchise may expand to include TV spin-offs of various side characters, digital content and elements of radical left-wing cultural politics – known as woke, DEI and third-wave feminism.

No Time To Die James Bond
James Bond (Daniel Craig) has defeated many major villains to date, but now seems to have met his match in the globalist company Amazon. Photo from the movie “No Time To Die”.

Eon Productions, which has controlled Bond productions since 1962, will reportedly continue to play a central role in the film productions. However, critics doubt this, as one of the producers, Michael G. Wilson, 83, has now formally declared his retirement.

– With my 007 career spanning nearly 60 incredible years, I am stepping back from producing the James Bond films to focus on art and charitable projects. Therefore, Barbara and I agree, it is time for our trusted partner, Amazon MGM Studios, to lead James Bond into the future, comments Wilson.

Concerns are also expressed that Amazon may water down the concept by planning more series and spinoffs on Prime Video, as previously discussed for example in the form of a series about CIA agent Felix Leiter. There are also hints that the Bond films could be released directly on Prime, despite Eon’s adamant insistence that the main films premiere in cinemas.

“Bond is dead”

On social media, reactions to what was, for the vast majority of supporters, a shocking decision, have been passionate. “Amazon will destroy everything that makes Bond unique he will become an algorithmic action hero”, wrote one fan on X. However, some are more hopeful. “More stories in the Bond world could work, if they respect the core”, comments another user.

In Reddit threads, there is speculation that Bond could now very likely become even more woke, and/or follow similar trends to Marvel’s expanded universe.

Bond into the streaming era

Mike Hopkins, head of Prime Video and Amazon MGM Studios, is unsurprisingly optimistic.

– Since his theatrical introduction over 60 years ago, James Bond has been one of the most iconic characters in filmed entertainment. We are grateful to the late Albert R. Broccoli and Harry Saltzman for bringing James Bond to movie theatres around the world.

According to reports from industry sources, the tech giant paid a staggering sum of an additional $1 billion to Eon Productions to acquire the exclusive rights. The MGM purchase certainly included the distribution rights of the James Bond films, but the new deal gives Amazon a clearer mandate to develop content outside the movies.

Analysts say Amazon’s move reflects a trend of streaming companies buying iconic franchises to attract subscribers. However, the risks are high Bond is a cultural institution with demanding fans. While Amazon sees opportunities in expanding the Bond universe, questions remain about how the very essence of Agent 007 will be allowed to be preserved including a dash of political incorrectness?

The question now echoing through the movie world is: How will Bezos’ globalist empire shape the future of the world’s most famous secret agent? Will 007’s martini still be shaken, not stirred, in Amazon’s hands?

Eon Productions

  • Full name: Eon Productions Limited
  • Founded: 1961
  • Founders: Albert R. "Cubby" Broccoli and Harry Saltzman
  • Current owners: Barbara Broccoli and Michael G. Wilson
  • Headquarters: Eon House, 138 Piccadilly, London, England

Activities.

  • Primary focus on the production of the James Bond film series. Total of 25 official films produced between 1962 and 2021. First film: "Dr. No" (1962). Last film: "No Time to Die" (2021).
  • Other notable productions: "Chitty Chitty Bang Bang" (1968), "Call Me Bwana" (1963), West End musical "Once" (2013)

Collaborations.

  • Long-term partnership with United Artists and later MGM
  • Joint venture with Amazon MGM Studios for the James Bond franchise since February 2025

Cultural legacy.

  • Responsible for establishing James Bond as one of the most successful and enduring film franchises in history
  • Shaped the modern action genre and spy film

Other.

  • The James Bond franchise has generated over $7 billion in box office revenue globally
  • Extensive merchandising and licensing of the Bond brand
  • Awards: Multiple Oscar nominations including wins. Mainly technical credits such as special effects and sound mixing
  • BAFTA awards, including 2013's 'Skyfall', for Outstanding British Film

The men’s movement that wants to live without women

Cultural revolution in the West

The MGTOW movement is described as a backlash and a male mirror image of the feminist movement. However, its "masculinism" is in practice as destructive to men as feminism has been to women.

Published 23 February 2025
– By Editorial Staff

We live in a time characterized by what can almost be described as a gender war that has broken out of the Marxist cultural struggle and postmodernist confusion about gender roles. The MGTOW (Men Going Their Own Way) movement is strongly linked to this social development and has emerged in recent decades as a kind of reactionary counterpoint to the feminist movement.

Advocating that men should “go their own way” – away from romantic relationships and societal expectations – MGTOW is in many ways a complex mirror image of feminism and a form of protest movement against a society where more and more men feel marginalized, discriminated against and outright unwanted.

MGTOW has its roots in so-called men’s rights groups and anti-feminist forums from the early 2000s, where criticism grew against family law systems, the #MeToo movement and what is generally referred to as “toxic feminism”. Central to this is a perception that society is increasingly demonizing men and masculinity in general, which is linked to the feminist analysis of “patriarchy” as a main cause of structural oppression.

Supporters of the movement point out that men are currently being punished for historical and collective sins, and that this has created a culture where men’s voices and needs are trivialized. In response, they advocate “opting out” – living in voluntary celibacy, avoiding marriage and sometimes even avoiding social relationships with women altogether.

The movement’s ideas have since spread from internet forums into popular culture via YouTube channels and social media. Key “vanguard” figures known by names such as Barbarossaa, Sandman and Turd Flinging Monkey have popularized MGTOW’s message by mixing humour, provocation and analysis of social issues. The rhetoric overlaps to some extent with other social critique movements, for example with metaphors such as the “red pill” – a reference to the movie The Matrix that symbolizes the awakening to what is perceived as a hard truth about a sick society, in MGTOW’s case with particular reference to the impact of feminism and the role of women in modern society.

The four stages: a path to total separation

MGTOW often describes its philosophy as a progression through four stages, with each stage involving deeper and deeper separation from society and from women:

1. Situational awareness

This initial stage is described as men beginning to question their relationships with women and also with society at large. This is described as being associated with a perception of being exploited, often with reference to marriages and legal systems that they consider to be unequal. Men at this stage still believe in the value of marriage but at the same time have started to “realize” that they are being manipulated by women.

2. Rejection of long-term relationships

In the second stage, men reject long-term relationships, cohabitation and marriage. They see these institutions as traps that limit their freedom and expose them to great financial and emotional risks. However, short-term relationships and sexual encounters are still accepted because they do not involve the same degree of commitment.

3. Rejection of short-term relationships

In the third stage, as MGTOW adherents often see it, men reduce their interactions with women to a minimum. They avoid not only romantic relationships but also friendly or even professional relationships with women. This stage is characterized by a strong suspicion and a belief that women, regardless of the context, pose a threat to their freedom and well-being.

4. “Going Ghost”

The final stage, called “going ghost”, involves a complete separation from modern society. Men in this stage try to minimize their involvement in “everyday society” and often resign from their jobs. They strive to live as individually as possible, often by moving to remote locations or living as anonymously as they can.

Marriage becomes a “legal threat”

MGTOW is often highlighted by its members as a counterweight to what they see as a one-sided feminist narrative in mainstream social debate. Feminist theory often highlights “patriarchy” as a systemic cause of all sorts of injustices – from gender-based violence to pay gaps and power imbalances – an analysis that MGTOW supporters dismiss as inaccurate and misogynistic.

Feminism has gone from fighting for gender equality to scapegoating men for all of society’s problems”, writes one anonymous MGTOW member in a forum. Other supporters say the movement offers “brotherhood” and male “solidarity” – something that is perceived to be in short supply in modern society.

One of the primary reasons why MGTOW is good for men is that it provides a way for them to maintain their independence and freedom. In today’s society, men are often expected to provide for their partners, both financially and emotionally. This can be a significant source of stress and anxiety for many men, leading to feelings of resentment and frustration. By choosing to go their own way, men can focus on their own needs and desires, rather than trying to meet the expectations of others”, argues one supporter.

Critics of the movement, such as Canadian psychologist Jordan Peterson, argue, among other things, that despite pointing to real problems, such as men’s loneliness or unfair custody disputes, it fails to offer constructive solutions. Instead of addressing issues that need to be resolved or promoting understanding and cooperation between the sexes, the movement romanticizes a life of suspicion, isolation and gender-based segregation.

Viewing women as a collective enemy or a “legal threat” (a common MGTOW term for marriage) naturally risks reinforcing polarization rather than healing it. Others note that withdrawing from the community is an act of powerlessness rather than empowerment and self-determination, and that many of the members seem to be mostly resentful and have difficulty processing wrongs they have suffered in previous relationships.

Who benefits from the split?

Jordan Peterson has drawn attention to the MGTOW movement on several occasions, commenting that he understands some of the factors behind its origins, but has also noted the destructive impact it has, particularly on younger men.

A central question regarding the criticism of MGTOW is also who actually benefits from this division, since neither men nor women actually benefit from seeing each other as enemies or competitors. Creating an “us versus them” mentality undermines the conditions for healthy relationships and cooperation, while those who instead want to divide the people benefit – whether it is oligarchs and politically driven actors or algorithm-driven social media that benefit from the conflict.

There is an understandable notion that creating lasting relationships and families has never been as difficult as it is today, not only because society is based on both parties preferably having some kind of career, which in practice of course makes family formation more difficult – but also because the view of what a relationship actually means has changed radically. The liberal view of relationships has been highlighted in the public debate as something that can promote “freedom”, individualism and self-fulfillment – but at the societal level, it is also apparently a strong contributing factor to the fact that half of all marriages today end in divorce, that Swedes are the loneliest people in the world – and to an alarmingly low birth rate. Who would dare to start a family with someone if both men and women feel that they can be replaced or exploited at any time for almost any reason? Who really dares to invest when everything feels so uncertain?

Breaking up a relationship as soon as any form of dissatisfaction or conflict arises is often seen as as reasonable a solution as throwing away a malfunctioning product. What is the point of trying to repair something when you can just get a new one?

This ultra-individualistic reality is also something that is often discussed in MGTOW circles, in both positive and negative terms. While many members feel scared, betrayed and deceived by women who have rejected them, they themselves often emphasize the importance of being “free” and “independent” and focusing on themselves rather than on anyone else.

As Peterson also points out, MGTOW is in many ways an unfortunate symptom of a time of great, and in some cases legitimate, discontent or fear among many men – in many cases outright despair. However, the movement’s response – to collectively reject women and turn its back on society – is to throw the baby out with the bathwater, inevitably consigning men to a damaging existence of isolation and growing resentment.

Critics of both extreme misogynist men’s movements and anti-male feminist ideologies note that the solution is not to run away from each other or to live in various shades of destructive enmity. The solution is for both men and women to take responsibility for seeking a better understanding of our natural differences and in this way respect and affirm them, focusing on building healthy relationships and complementing each other in small and large ways.

Social engineering, including destructive ideology, can disrupt the natural state of normality that both the individual and society thrive on. Historical evidence suggests that togetherness has been the established norm among the peoples of Europe since prehistoric times, and that it is itself the foundation of Western civilization as we know it.

Perhaps we can simply allow ourselves to assume that nature and providence have created us in two sexes for good reason.

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