The farmstead gnome – A protective being in Nordic folklore

Published December 27, 2024 – By Editorial staff
Christmas card by the Swedish artist Jenny Nyström and an engraving by Andreas Flinch after a drawing by the Danish artist Johan Thomas Lundbye.

–The farmstead gnome has played a prominent role in Swedish folklore as one of the most important protective spirits. His influence was so significant that people not only offered him food but also prepared a straw bed for him. A satisfied gnome would bring prosperity, known as "tomtebolycka", to the household, while a displeased one could bring misfortune.

In Nordic folklore, the farmstead gnome is among the most well-known beings, enjoying a particularly close connection with Swedes. Tales of various supernatural entities were common, but gnomes were especially prevalent and widely believed in. The Institute for Language and Folklore (ISOF) houses over a thousand archival stories about these gnomes.

“My mother had seen a gnome. She was so sure of it. She was walking along a road when she saw a tiny man with a red cap running ahead of her. When they reached a fork in the road, he ran down the other path” recounted Adolf Johansson, born in 1883 (recorded by Ragnar Nilsson, IFGH 4786, p. 4, Institute for Language and Folklore, Gothenburg).

The word "tomte" originates from the term tomt (homestead) and was previously used in the form tomt-gubbe, later evolving into tomtegubbe, according to the cultural organization Kulturminnet. The being is also known by other names, such as gårdstomte, hustomte, tomtevätte, tomtrået, tomtenisse, or tomtebisse.

Christmas cards by artist Jenny Nyström.

The Spirit of the Farmstead

The term bisse means leader, sage, or "top hen" (a Swedish expression for "head honcho"). In many ways, the farmstead gnome fulfilled such a role. He watched over the farm and assisted with daily chores, such as sifting flour, sweeping, haymaking, carrying straw, and tending to the animals. He was often described as the very spirit of the farm. Some stories claimed that he was the first man to cultivate the land, unable to rest in death and thus continuing to guard “his” farm.

The farmstead gnome is closely related to the vätte, a subterranean being believed to dwell beneath human houses in folklore.

Finding a horse with a braided mane in the morning was a sign that the gnome had visited the stable. Gnomes were said to love horses and braiding their manes. The horse, considered the gnome’s favorite animal, was never to be neglected, as mistreatment could have severe consequences.

A Temperamental Being

The gnome brought security to everyday life, and his satisfaction was key to the farm's success. However, he was easily angered and intolerant of negligence. A dirty barn could earn someone a slap or a kick. It was crucial to avoid working at night on the farm, as that was the gnome’s time for labor. Disturbing him could result in a noisy reprisal the following night.

“They didn’t like it when people made noise after dark. If you did, the same noise would return later, without anything being done. I heard it myself more than once. I also saw them once”, said Ingeborg Nilsson West, born in 1836 (recorded by Olle Lindskog, IFGH 964, pp. 11–12, Institute for Language and Folklore, Gothenburg).

The gnome was considered conservative and resistant to modern agricultural machinery or significant changes. Introducing too many modern elements could prompt him to abandon the farm, an ominous sign. If angered, the gnome might kill a cow or otherwise sabotage farm work, according to ISOF records. A farm's prosperity or hardship was often attributed to the state of its gnome.

Rewards and Rituals

Rewarding the gnome was crucial. People commonly prepared a straw bed for him in the barn and offered him tobacco, which he reportedly enjoyed. At Christmas, it was traditional to leave out a bowl of porridge, leading to the term tomtegröt. The porridge had to include butter, as one story illustrates:

“They had to give the gnome milk and porridge on Christmas Eve. There had to be butter in the porridge. At one place here, they had a gnome. They gave him porridge on Christmas Eve, but there was no butter on top. The butter was underneath, but the gnome didn’t see it. He became so furious that he went to the barn and killed their best cow”, recounted Viola Gustafsson in 1927 (IFGH 937, pp. 40–41, Institute for Language and Folklore, Gothenburg).

The gnome was often credited with magical powers, such as saving farms from famine by increasing grain yields or warning of dangers like fire or livestock illness. A satisfied and content gnome symbolized security and prosperity, embodying the concept of tomtebolycka.

A well-known legend tells of the gnome pulling a straw of hay. He huffs and puffs with effort, which prompts the farmer to mock him for struggling with such a small load. The gnome becomes angry and retorts that if he exerts as much effort back at the farmer as the farmer has mocked him, the farmer will have nothing left to boast about. In reality, the gnome had been carrying far more than the farmer realized, and after the incident, the farmer ends up impoverished.

Gnomes. Olaus Magnus' History of the Nordic Peoples. Book 3 - Chapter 22 - On the Service of Spirits. - Published in 1555.

Common in the smithy

The farmstead gnome was not confined solely to farms. There are also tales of forest gnomes, who, for example, would wake charcoal burners if their kilns began to burn during the night. A story from Axel Lind, born in 1884 and recorded by Olle Lindskog in 1927, describes how blacksmiths were particularly superstitious and believed strongly in gnomes.

“My uncle used to say that if a blacksmith tried to take coal from a bin that wasn’t his own, the gnome would immediately appear and give him a resounding slap”, reads one account in IFGH 961, pp. 5–9, Institute for Language and Folklore, Gothenburg.

The origins of belief in the farmstead gnome are unclear, but according to the Nordic Museum (Nordiska museet), it can be traced back to at least the 7th or 8th century. In written records, the gnome is mentioned by Saint Birgitta, who in the 14th century criticized the custom of offering porridge to the gnome, considering it ungodly. The Swedish priest Olaus Magnus also references gnomes in his book History of the Nordic Peoples, where he includes illustrations of them.

Invisible to most

The farmstead gnome is a being that typically remains invisible but is sometimes said to reveal itself to certain individuals. Those who were synsk or clairvoyant might catch a glimpse of the gnome, but it was crucial to show him respect. Generally, people knew a gnome was present on the farm not by seeing him, but by noticing the traces of his work.

The gnome is often described as a small, elderly man, ranging in size from a few decimeters to roughly the size of a child.

“In Restebacken, my father saw a gnome. He was as small as a three-year-old child but as quick as a cat”, recounted Maja Kajsa Johansson, born in 1868 (recorded by Ragnar Nilsson, IFGH 3018, p. 6, Institute for Language and Folklore, Gothenburg).

The gnome is sometimes described as a being with one eye but more often as a figure with two green eyes that glow in the dark. He frequently has white or gray hair and a beard, typically dressed in gray clothes and a gray or red cap. Occasionally, people would gift him new clothes as a kind gesture, but they had to be modest. If the clothes were too extravagant, he might deem himself “too fine” to work.

The gnome was believed to be incredibly strong and was said to be able to lift an entire horse. He could also be mischievous, hiding objects or playing pranks. Even today, the expression “the household gnome has been up to something” is used jokingly when something goes missing. There are also tales of the gnome amusing himself by throwing items down chimneys.

Unlike other beings that often lived in families, the gnome is usually described as solitary. However, there are stories that mention female gnomes (tomtegummor) and gnome children. The gnome often resided in the farm’s stable or barn but could also inhabit the mill, smithy, distillery, mine, ship, or even inside the house.

Gnomes and Christmas

In Sweden and the Nordic countries, there are two distinct types of gnomes: the farmstead gnome (gårdstomte) and the Christmas gnome (jultomte). The traditional red-clad Christmas gnome traces its origins to legends about the generous Saint Nicholas, who later became known as Santa Claus. According to Kulturminnet, Santa Claus gained popularity in Sweden during the 1860s. While Santa Claus is widely recognized around the world, in Sweden, his image has been influenced by the farmstead gnome. As a result, the Swedish Christmas gnome is often considered a blend of the farmstead gnome and Santa Claus.

Illustration inspired by the poem "The Gnome." Illustration: Jenny Nyström/New Illustrated Magazine

Two individuals were particularly instrumental in shaping the Swedish image of the Christmas gnome: the author Viktor Rydberg and the artist Jenny Nyström. In 1871, Rydberg published the Christmas tale Lille Viggs äventyr på julafton (Little Vigg’s Adventure on Christmas Eve), a story that doesn’t directly feature the Christmas gnome but instead includes a gift-giving goblin (vätte). Nyström illustrated the tale, and the goblin became a prototype for the Swedish Christmas gnome. Rydberg is said to have given Nyström detailed instructions on how this goblin should be portrayed. Together, they helped connect the traditional household gnome to Christmas. Nyström continued to refine the image of the gnome in Sweden, painting thousands of Christmas postcards and illustrating Rydberg’s famous poem Tomten (The Gnome), which begins:

The midwinter night's cold is harsh,
the stars sparkle and glimmer.
All are asleep in the lonely farmstead,
deep in the midnight hour.
The moon walks its silent path,
the snow glows white on pine and fir,
the snow glows white on the rooftops.
Only the gnome is awake

It is unclear who first coined the term jultomte (Christmas gnome), but Jenny Nyström continued to draw significant inspiration from the farmstead gnome of folklore. In this way, the modern Swedish Christmas gnome has become firmly rooted in holiday traditions, according to the Nordic Museum.

One notable distinction of the Swedish Christmas gnome is that he is rarely associated with reindeer. In Swedish tradition, the gnome instead travels with horses, goats, or pigs. He is most often depicted as solitary, walking through the snow with a sack on his back.

The Farmstead Gnome Today

Despite an increasingly secularized society and a decline in belief in supernatural beings, folklore still holds a place in our collective consciousness. Many old myths and beliefs have adapted and endured over time, often taking on new forms, rooted in a deep human need to understand the world through the mystical and inexplicable. In an age where science explains the physical world, the supernatural continues to fascinate, providing space for stories and traditions.

Interest in folklore is not merely a relic of the past. It thrives in contemporary popular culture, where farmstead gnomes and other mythical beings are brought to life in books, films, and TV series. Even modern media, such as podcasts, frequently share new accounts of supernatural phenomena. It is also intriguing to observe how traditions from other cultures, like American "Nisse doors", are gaining popularity in Sweden. This demonstrates the universal and timeless appeal of mythical figures. Although these nisse differ from the Swedish farmstead gnome, they share a common love for mischief and humor – qualities that ensure such characters remain captivating.

The question of why folklore persists, even in a rational and technological world, is complex. Perhaps it is a way to hold onto something ancient, a link to the past when the world felt more mysterious and uncertain. Or it may reflect an intrinsic human attraction to the unexplained, a need to believe in something beyond what we can see and measure. Whatever the reason, figures like gnomes, farmstead spirits, and other mythical beings will likely remain a part of our shared cultural identity, reminding us that there may be more to the world than we understand.

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Gävlebocken – the burning Christmas symbol

Published today 10:55 am – By Editorial staff
The 2019 edition of the Gävle Goat.

It stands nearly thirteen meters tall, weighs several tons and is built from straw. Every first Sunday of Advent, residents of Gävle gather to inaugurate the city's famous Christmas goat. But the Gävle Goat (Gävlebocken) is also known for its recurring fate: it has an unfortunate tendency to go up in flames.

Today, the first Sunday of Advent, marks the inauguration of the 59th edition of the Gävle Goat.

The very first Gävle Goat was erected on December 1, 1966, at Slottstorget in the southern part of Gävle, a city in central Sweden. It was then 10 meters tall and weighed three tons.

It's unclear exactly whose idea it was to create a giant straw goat, but according to legend, it was merchants who wanted to attract people to the shops in the southern part of the city during Christmas.

Advertising man Stig Gavlén and Harry Ström, a TV dealer and chairman of the merchants' association, are pointed out as possible originators of the Gävle Goat.

Inga Ivarsson from Hälsingland, whose family owned Edsbyverken which had previously lent the world's largest skis and the world's largest chair to the merchants in the south, is also identified as a possible goat pioneer according to Visit Gävle.

The idea was that the Gävle Goat would be a continuation of the theme "the world's largest straw goat".

The Gävle Goat in 2009. Photo: Seppo Laine/CC BY 2.0

The tradition begins...

The very first goat actually burned down as well, something that would prove to be a recurring traditional fate. Already on New Year's Eve it burned down, and the perpetrator was charged with aggravated vandalism.

Despite this, a new goat was erected the following year, and already here it became slightly larger – approximately 12 meters tall, 6.5 meters long and with three-meter-high legs.

For two years the goat was left untouched, but in 1969 it burned again on New Year's Eve – this time the perpetrator was never caught. In 1970 it burned already the night after inauguration. At that point, the southern merchants grew tired of the goat spectacle and discontinued the project.

The goat shrinks

The Vasaskolan natural science association took over the Gävle Goat traditions, but chose to make a significantly smaller goat – only 1.5 meters tall.

This version of the goat was displayed every Advent until 1984, but almost every year it suffered some form of sabotage.

In 1973 it disappeared without a trace but was later found undamaged in a man's backyard. The man was subsequently sentenced to prison for grand theft. 1980 was the only year during the period when the goat was left undamaged.

Transport of the Gävle Goat in 2020. Photo: Niklasew/CC BY-SA 4.0

A celebrity goat

In 1985, they returned to erecting the large straw goat, and the same year the Gävle Goat entered the Guinness Book of Records for the first time. It was then measured at 12.5 meters.

Since 1986, both the large and small goats have been erected every year, and it was also at this time – in the mid-1980s – that the term "Gävlebocken" (the Gävle Goat) began to be used.

In 1991, the goat was significantly commercialized. It was equipped with a sleigh loaded with packages and used to advertise various shops and goods. However, the sleigh was criticized for being an illegal construction, and after some debate it was removed.

During the 1990s, the goat was rebuilt on one occasion after burning down, this time under the name Hälsingebocken (the Hälsingland Goat). It was transported to Stockholm to draw attention to the closure of the Hälsinge Regiment and the high unemployment in Gävleborg County.

Sport to burn down the goat

It's unclear exactly when it became a kind of "illegal sport" to burn down the poor straw goat, but in almost all years there have been attempts to achieve the fateful tradition of setting it on fire. Already in the 1990s, camera surveillance was installed, and in the late 1980s its fate appeared on betting odds lists.

In 2014, the odds according to betting site Betway were 1.3 times the money that the goat would be burned and 3 times the money that it would survive Christmas.

Despite protection and flame retardants, there have been quite a few remarkable incidents over the years. In 2004, for example, the Gävle municipality's website was hacked already in November and the message "Burn bockjaevel" appeared on both the website and the webcam. It was then burned on December 21.

The following year, two men – one dressed as Santa Claus and the other as a gingerbread man – shot flaming arrows at the goat, burning it down.

In 2010, the goat was guarded by security guards, and fortunately so – there were plans to kidnap it with a helicopter and take it to Stockholm.

Symbol of Christmas

Several people have been both charged and convicted for the acts against the Gävle Goat over the years. In 2018, the Swedish Court of Appeal ruled that attacking the straw goat constitutes aggravated vandalism. Despite this, attempts to burn down Gävle's Christmas symbol continue.

On the first Sunday of Advent, Gävle residents gather in the city center for the inauguration of the now 59th goat, and the tradition itself has become a symbol of Christmas for many Swedes.

Nowadays, however, the goat no longer stands at Slottstorget but has been moved to Rådhuseplanaden just north of Rådhustorget (City Hall Square).

In 2024, the goat only burned down with the help of AI – a fake image that fooled both foreign bettors and Swedish Christmas lovers. However, there was no real fire, and the goat remained standing throughout Christmas.

During the week, the goat's parts were transported to its place by the square using trucks.

Today, November 30, the Gävle Goat is being inaugurated during a grand spectacle where the city's residents gather for a variety of Christmas activities both during the day and in the evening. The question is whether – or for how long – the goat will stand this year.

If possible, one should probably hurry to Gävle if you want to catch a glimpse of the majestic goat before it perhaps once again burns down to the ground.

China’s cultural gem Jiangsu visited Stockholm

Published November 24, 2025 – By Editorial staff
Chinese and Swedish artists united east and west in a poetic musical dialogue between the nyckelharpa, guzheng and bamboo flute.

A colorful cultural and tourism event showcasing the unique traditions, crafts, and modern charm of Jiangsu Province took place in Stockholm on November 7.

The Jiangsu Provincial Department of Culture and Tourism and the Chinese Cultural Center in Stockholm hosted an inspiring event where visitors experienced China's cultural heritage through music, tea, crafts, and interactive activities reflecting both history and the present day.

The highlight was a concert where Chinese and Swedish artists united East and West in a poetic musical dialogue between nyckelharpa (a traditional Swedish keyed fiddle), guzheng (Chinese zither), and bamboo flute, an interpretation of the spirit of "water," the symbol of Jiangsu's elegance and cultural depth.

The Cultural Center was filled with visitors who sampled tea, enjoyed exhibitions, and explored opportunities for future collaborations. Many were fascinated by Jiangsu's combination of tradition, innovation, and artistic finesse.

At the same time, the exhibition Canal Reflections & Craft Revival was displayed with three thematic rooms: The Taste of Tea, The Rhythm of Silk, and The Color of Porcelain. In the tea room, classical paintings such as Huishan Gathering created a poetic atmosphere, where the renowned green tea Biluochun and Yixing clay vessels offered a taste of Jiangnan's refined culture. Jiangsu Phoenix Publishing Group also presented the English edition of The Taste of Chinese Plants, which was shown to an international audience for the first time.

In the silk theme, a sculptural Dala horse created from silk cocoons stood as a symbol of the meeting between Chinese and Swedish craftsmanship. Photo: The Nordic Times

Suzhou Silk Museum and the brand Taihu Snow displayed joint creations where historical patterns met modern design. Additionally, Suzhou University's digital laboratory for traditional crafts demonstrated its new color digitalization system for the kesi embroidery technique, alongside a demonstration by young Suzhou embroidery artists.

A woman from Jiangsu Province displayed her craft of embroidered silk art. Photo: The Nordic Times

In the porcelain section, elegant Yixing celadon and ceramic art from Gaochun were displayed, a modern interpretation of the spirituality of water and the symbolism of color in Chinese aesthetics.

Stephen Brawer, chairman of the Belt & Road Institute in Sweden, gave a speech about Chinese culture and general development and how the country has succeeded in eradicating poverty for nearly 800 million people. Photo: The Nordic Times

Jiangsu is a province that unites tradition, innovation, and sustainable tourism, something that more and more Swedish travelers are discovering. The event is part of Jiangsu's international program for cultural and tourism promotion, with the goal of creating new bridges in tourism, education, and cultural exchange.

— We want to invite our Swedish friends to discover Jiangsu's beauty, not just as a destination, but as a cultural experience that touches all the senses, says Qian Ning from the Jiangsu Provincial Department of Culture and Tourism.

From November 10, 2025, a visa-free arrangement applies for Swedish citizens traveling to China for stays of up to 30 days, a new opportunity to experience Jiangsu's charm up close.

Guzheng – the ancient unique stringed instrument

The guzheng is a Chinese stringed instrument with a history spanning over 2,500 years. The earliest variants emerged during the Warring States period and evolved to become a popular instrument at courts, ceremonies and banquets during the Qin and Han dynasties. The instrument's design changed gradually; it gained more strings and improved resonance, which enabled greater expressiveness and musical variation.​

Particularly during the Tang dynasty, the guzheng's role flourished within both classical and folk music, and several technical innovations made the instrument even more versatile. During the 20th century, new materials were introduced in the strings, and standardized forms were developed to meet the demands of modern music. Today, the guzheng is one of China's most beloved and widely used traditional instruments.

Unique discovery found in Viking grave

Published November 14, 2025 – By Editorial staff

A skeleton from the Viking Age has been found in Norway with burial details that have never before been documented in pre-Christian graves in the Nordic region. The find has led archaeologists to work in secret, and now DNA analyses will provide answers to the mystery surrounding the woman from the 800s.

The discovery was made in Bjugn in Trøndelag, central Norway, after Roy Søreng was searching with a metal detector in a field in Val earlier this year. When he found a belt buckle, a typical ornament from the Viking Age, he contacted the authorities.

Archaeologists from NTNU Vitenskapsmuseet (the Norwegian University of Science and Technology's Museum of Natural History and Archaeology) and Trøndelag municipality then began work at the site where they were able to confirm that it was a grave.

The Viking Age grave contains what we believe is a woman, buried with typical Viking Age dress and jewelry from the 800s. This indicates that she was a free and probably married woman, perhaps the mistress of the farm, said senior engineer Raymond Sauvage at the Department of Archaeology and Cultural History at Vitenskapsmuseet in a press release.

Remarkable find

The work has since continued in secret because the find was deemed so significant. Now the archaeologists reveal that they found jewelry consisting of two oval brooches that fastened the straps of the pinafore dress, as well as a small ring brooch that closed the neck opening of the undergarment. It was one of these brooches that Søreng originally discovered. The skeleton was also very well preserved.

But the most remarkable aspect is what was found at the dead woman's mouth.

The most remarkable thing is two scallop shells placed at the deceased's mouth. This is a practice not previously known from pre-Christian graves in Norway. We don't yet know what the symbolism means, said Sauvage.

The burial custom with shells did not become common until approximately 300-400 years later, and pre-Christian graves with shells have never before been found in Scandinavia, Sauvage explains.

We must try to find out what significance this had, he told Norwegian state broadcaster NRK.

Second find in a short time

The shells were positioned with the curved side outward and the straight edge upward, so that they partially covered the mouth. Along the grave, the researchers also found small bird bones, probably from wings.

During the Viking Age, burials were ritual stagings where jewelry, clothing and grave goods expressed status and identity. The deceased was displayed with dress, bedding and symbolic objects to create a strong memory and emphasize the family's social position.

Earlier this year, another grave was found in the same field, dated to the 700s. The next step is to DNA-analyze the find to learn more about the woman in the grave, including whether she may be related to the person in the other grave.

We will examine the skeleton, preserve the objects and take samples for dating and DNA analysis. The goal is to learn more about the person and, if possible, kinship to the earlier find from the same location, said Sauvage.

Here’s when Swedes can visit China visa-free

Published November 8, 2025 – By Editorial staff
One of the palaces in the "Forbidden City" in Beijing, China's capital, which is one of the country's most popular tourist destinations.

The Asian giant is making it easier for Swedes who want to explore Chinese culture and business life. Starting November 10, Swedes can now travel to China without a visa for stays of up to 30 days.

Sweden was the last Nordic country where citizens had to apply for a visa to visit China, while visa-free travel was introduced in neighboring countries in November last year. Visa applications involve both costs and require more planning before trips, with significant limitations on flexibility.

Travel operators have pointed out that this has limited both tourism and business travel. Now it becomes easier to book a trip spontaneously, whether the purpose is to discover the country's culture or develop business contacts, and the regulatory easing is a sign that relations between Sweden and China have improved.

China, which in area is almost as large as all of Europe, carries a 5,000-year-old civilization and culture that is well-preserved and has a great diversity of local cultures, traditions, food, and ethnic minorities with their unique expressions.

In the north, the capital Beijing attracts visitors with iconic sights such as the Great Wall of China, the Forbidden City, and Tiananmen Square. To the west lies the historic city of Xi'an with the famous Terracotta Army and traces from the ancient Silk Road.

Southern China offers dramatic karst mountains around Guilin, green rice fields, and opportunities for bamboo raft trips on calm rivers. Shanghai combines metropolitan energy with modern architecture and historic quarters where old meets new.

The country also contains lesser-known gems such as Taoism's sacred mountains, Buddhist temples, and traditional villages where old craft traditions are still preserved.

Good to know

The visa exemption applies to business, tourist, family and friendship visits, as well as exchange trips and transit. Travelers must have a regular Swedish passport that is valid for at least six months after entry. The stay may not exceed 30 days, and the exemption applies through December 31, 2026.

Upon entry, travelers may provide fingerprints and facial photos. Since the country experienced a severe period of terrorism, stricter controls were introduced both at entry into the country and on certain travel routes within the country.

Surveillance cameras are extensively deployed in public places and in traffic.

At the same time, the country is considered one of the world's safest to visit, with very few violent crimes. China now has the world's most modern infrastructure with low living costs and high accessibility to everyday services, social activities, and a rich cultural life.