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The conclusion of radical feminism: “So many ruined lives”

Cultural revolution in the West

Radical feminist Kate Millett's sister Mallory tells in this article about her experience from the beginning of the modern women's movement and how it led to the destruction of the Western family. Edited by Julia Caesar.

Published 5 May 2023
– By Editorial Staff
Women's struggle in the United States, "Women's Liberation".
9 minute read

Anyone who knows the history of feminism knows that it started with Betty Friedan, Kate Millett and Germaine Greer. It was their efforts that were the starting signal for the “Womens ‘Lib” (Women’s Liberation Movement), which beginning in the 1960s and 70s would spread throughout the non-Muslim world.

Betty Friedan (1921-2006) was first with her book “The feminine mystique” (1963). Then came Kate Millett (1934-2017) with “Sexual politics” (1970), at the same time as Australian Germaine Greer (born 1939) with “The female eunuch” (1970).

Half a century later, we live in the hangover of feminism, and no painkillers can soothe the insights into what this fundamentally Marxist movement has brought and still brings, not only for women but also for men, children and all of humanity.

When women go wrong, men go right after them.” – Mae West

Socialism is a philosophy of failure, the creed of ignorance and the gospel of envy; its inherent virtue is the equal sharing of misery.” – Winston Churchill

Feminist icon Kate Millett died in 2017, aged 82, of cardiac arrest. Two years before her death, her sister Mallory Millett wrote an article in which she relentlessly reveals her own experiences and opinions about the outcome of her sister’s and other women activists’ radical feminism:

So many ruined lives.”

It is noticeable that Mallory Millett has fought hard and long with the loyalty conflict that lies in openly and publicly distancing herself from her own sister and her ideology. She writes:

“If you see something traitorous in this, a betrayal of my sister, I have come to identify with such people as Svetlana Stalin or Juanita Castro; coming out to speak plainly about a particularly harmful member of my family”.

You can read the rest of Mallory Millett’s article below (edited by Julia Caesar) and the original here.

I graduated from university as a communist and atheist, just as my sister Katie had done six years before me. After several years abroad, I was newly divorced and was creating a new life for my daughter and me when Katie said:

Come to New York! We’re making a revolution! We’re building a national women’s organization, and you can be a part of it.”

I had not met her in several years. Thus began my period as an unconscious witness to history. I was living with Kate and her Japanese husband, Fumio, when she finished her first book, a doctoral dissertation at Columbia University, “Sexual Politics.” It was 1969.

Kate invited me to join her for a gathering at the home of her friend, Lila Karp. They called the assemblage a “consciousness-raising group,” a typical communist exercise, something practised in Maoist China. We gathered at a large table as the chairman opened the meeting with a back-and-forth recitation, like a Litany, a type of prayer done in Catholic Church. But now it was Marxism, the Church of the Left, mimicking religious practice: 

Why are we here today? she asked.
To make a revolution! they answered.

What kind of revolution? she replied.
The Cultural Revolution! they chanted.

And how do we make cultural revolution? she demanded.
By destroying the American family! they answered.

How do we destroy the family? she came back.
By destroying the American patriarch! they cried exuberantly. 

And how do we destroy the American patriarch? she replied.
By taking away his power!

How do we do that?
By destroying monogamy! they shouted.

How can we destroy monogamy?

Their answer left me dumbstruck, breathless, disbelieving my ears. Was I on planet earth? Who were these people?

By promoting promiscuity, eroticism, prostitution and homosexuality! they resounded.

They proceeded with a long discussion on how to advance these goals by establishing The National Organization of Women. It was clear they desired nothing less than the utter deconstruction of Western society. The upshot was that the only way to do this was “to invade every American institution.  Every one must be permeated with ‘The Revolution’”: The media, the educational system, universities, high schools, K-12, school boards, etc.; then, the judiciary, the legislatures, the executive branches and even the library system.

It fell on my ears as a ludicrous scheme, as if they were a band of highly imaginative children planning a Brinks robbery; a lark trumped up on a snowy night amongst a group of spoiled brats over booze and hashish.

To me, this sounded silly.  I was enduring culture shock after having been cut-off from my homeland, living in Third-World countries for years with not one trip back to the United States. I was one of those people who, upon returning to American soil, fell out of the plane blubbering with ecstasy at being home in the USA. I knelt on the ground covering it with kisses.  I had learned just exactly how delicious was the land of my birth and didn’t care what anyone thought because they just hadn’t seen what I had or been where I had been.  I had seen factory workers and sex-slaves chained to walls.

How could twelve American women who were the most respectable types imaginable — clean and privileged graduates of esteemed institutions: Columbia, Radcliffe, Smith, Wellesley, Vassar; the uncle of one was Secretary of War under Franklin Roosevelt — plot such a thing?  Most had advanced degrees and appeared cogent, bright, reasonable and good. How did these people rationally believe they could succeed with such vicious grandiosity? And why?

I dismissed it as academic-lounge air-castle-building.  I continued with my new life in New York while my sister became famous publishing her books, featured on the cover of “Time Magazine.” “Time” called her “the Karl Marx of the Women’s Movement.”  This was because her book laid out a course in Marxism 101 for women.

Her thesis: The family is a den of slavery with the man as the Bourgeoisie and the woman and children as the Proletariat.  The only hope for women’s “liberation” (communism’s favourite word for leading minions into inextricable slavery; “liberation,” and much like “collective” – please run from it, run for your life) was this new “Women’s Movement.”  Her books captivated the academic classes and soon “Women’s Studies” courses were installed in colleges in a steady wave across the nation with Kate Millett books as required reading.

Imagine this: a girl of seventeen or eighteen at the kitchen table with Mom studying the syllabus for her first year of college and there’s a class called “Women’s Studies.” “Hmmm, this could be interesting,” says Mom. “Maybe you could get something out of this.”

Seems innocuous to her.  How could she suspect this is a class in which her innocent daughter will be taught that her father is a villain?  Her mother is a fool who allowed a man to enslave her into barbaric practices like monogamy and family life and motherhood, which is a waste of her talents.  She mustn’t follow in her mother’s footsteps. That would be submitting to life as a mindless drone for some domineering man, the oppressor, who has mesmerised her with tricks like romantic love.  Never be lured into this chicanery, she will be taught.  Although men are no damned good, she should use them for her own orgasmic gratification; sleep with as many men as possible in order to keep herself unattached and free. There’s hardly a seventeen-year-old girl without a grudge from high school against a Jimmy or Jason who broke her heart.  Boys are learning, too, and they can be careless during high school, that torment of courting dances for both sexes.

By the time Women’s Studies professors finish with your daughter, she will be a shell of the innocent girl you knew, who’s soon convinced that although she should be flopping down with every boy she fancies, she should not, by any means, get pregnant.  And so, as a practitioner of promiscuity, she becomes a wizard of prevention techniques, especially abortion.

The goal of Women’s Liberation is to wear each female down to losing all empathy for boys, men or babies. The tenderest aspects of her soul are roughened into a rock pile of cynicism, where she will think nothing of murdering her baby in the warm protective nest of her little-girl womb.  She will be taught that she, in order to free herself, must become an outlaw. This is only reasonable because all Western law, since Magna Carta and even before, is a concoction of the evil white man whose true purpose is to press her into slavery.

Break the law! Rebel! Be defiant!
All women are prostitutes,” she will be told. You’re either really smart and use sex by being promiscuous for your own pleasures and development as a full free human being “just like men” or you can be a professional prostitute, a viable business for women, which is “empowering” or you can be duped like your mother and prostitute yourself to one man exclusively whereby you fall under the heavy thumb of “the oppressor.”  All wives are just “one-man whores.”

There’s no end to the absurdities your young girl will be convinced to swallow.  “I plan to leap from guy to guy as much as I please and no one can stop me because I’m liberated!”  In other words, these people will turn your daughter into a slut with my sister’s books as instruction manuals.

She’ll be telling you, “I’m probably never getting married and if I do it will be after I’ve established my career,” which nowadays often means never. “I’ll keep my own name and I don’t really want kids.  They’re such a bother and only get in the way.”
They’ll tell her, “Don’t let any guy degrade you by allowing him to open doors for you. To be called ‘a lady’ is an insult. Chivalry is a means of ownership.”

I’ve known women who fell for this creed in their youth who now, in their fifties and sixties, cry themselves to sleep decades of countless nights grieving for the children they’ll never have and the ones they coldly murdered because they were protecting the empty loveless futures they now live with no way of going back.  “Where are my children?  Where are my grandchildren?” they cry to me.

Your sister’s books destroyed my sister’s life!”  I’ve heard numerous times. 

During the time these women invaded our institutions, the character of the American woman was drastically changed by role models such as Rosalind Russell, Bette Davis, Deborah Kerr, Eva Arden, Donna Reed, Barbara Stanwyck, Claudette Colbert, Irene Dunn, Greer Garson. They were outstanding women who did not need any power lessons and whose own personalities, as well as the characters they interpreted, were strong and clear in their contours. Their voices were so different that you could tell them right away.

Bette Davis (1908-1989).

We all knew Rita Hayworth’s voice.  

We all knew Katherine Hepburn’s voice.

I dare you to identify the voices of the cookie-cutter post-women’s-liberation types from Hollywood today. How did these “liberated” women fall into such an indistinguishable pile of mush? They all look exactly the same with few individuating characteristics and their voices sound identical, these Julies and Jessicas!  My friend, Father George Rutler, calls them “the chirping fledglings of the new Dark Ages.”  The character of the American woman has been distorted by this pernicious movement. From where did this foul mouthed, tattooed, outlaw creature, who murders her baby without blinking an eye and goes partying without conscience or remorse come?  And, in such a short little phase in history?

Rita Hayworth (1918-1987).

I insist that woman always has been the arbiter of society and when those women at Lila Karp’s table in Greenwich Village set their minds to destroying the American Family by talking young women into being outlaws, perpetrators of infanticide, and haters of Western law, men and marriage, they accomplished just what they intended.  Their desire — and I witnessed it at subsequent meetings till I got pretty sick of their unbridled hate — was to tear American society apart along with the family and the “Patriarchal Slave-Master,” the American husband.

Mao Zedong (1893-1976)

We’re all so busy congratulating each other because Ronald Reagan “won the Cold War without firing a shot” entirely missing the bare truth which is that Mao, with his Little Red Book and the Soviets, won the Cold War without firing a shot by taking over our women, our young and the minds of everyone tutored by Noam Chomsky and the textbooks of Howard Zinn.

If you see something traitorous in this, a betrayal of my sister, I have come to identify with such people as Svetlana Stalin (Allilujeva) or Juanita Castro; coming out to speak plainly about a particularly harmful member of my family.  Loyalty can be highly destructive. I was one of the silent but at last I’m “spilling the beans.” The girls have been up to something for years and it’s really not good. It’s evil. We should be sick to our souls over it.  I know I am. And so, mass destruction, the inevitable outcome of all socialist/communist experiments, leaves behind its signature trail of wreckage.

So much grace, femininity and beauty lost.

So many ruined lives.

 

Mallory Millett

 


This article has previously been translated into Swedish and published on Julia Caesar’s blog

Mallory Millett has been living in New York City with her husband for 25 years. She is the chief economist at several American companies and a member of The David Horowitz Freedom Center.

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Bizarre children’s series described as “digital drug”

Cultural revolution in the West

Published 10 May 2025
– By Editorial Staff
The characters of the children's series Cocomelon with its abnormal proportions.
3 minute read

The children’s series Cocomelon attracts young children around the world with its colorful animations and catchy songs. Despite its enormous popularity, criticism of the series is growing, with some warnings that its extreme editing could have a very negative effect on children’s brains.

More and more parents and experts are questioning the extremely fast pace of Cocomelon and whether the mass-produced style is really good for young minds, or whether it risks overstimulating children and making them restless.

One of the major objections to Cocomelon is its rapid editing technique, where camera angles change every two to three seconds. This is a hectic and exaggerated pace that is unfortunately all too common in modern children’s entertainment, but here it is taken to a new level.

According to a study by PubMed Central (PMC), the executive functions of 4-year-olds, such as self-control and working memory, are at risk of being severely impaired after being exposed to fast-paced clips for too long.

Many parents also report that their children become agitated after watching children’s series such as Cocomelon, and there is plenty of criticism on social media platforms such as X.

Mass-produced aesthetics

Other research also indicates that rapid camera and clip changes can negatively affect young children’s concentration. The fast pace is no accident either. Cocomelon is designed to capture children’s attention, but some argue that it now goes too far.

According to Findmykids.org, the constant impressions can trigger dopamine release, causing children to seek the same quick rewards even outside the screen – something that can make it harder for them to focus on calmer activities such as reading or playing.

In addition to the pace, the series’ aesthetics have also been criticized. Like most animated productions today, the characters have disproportionately large heads and overly cheerful expressions, which some find unpleasant.

For many parents and viewers, it feels like the series is made on an assembly line where quantity takes precedence over quality, resulting in an aesthetic that is more frightening than charming.

Opinions are divided

Unlike traditional cartoons such as Scooby-Doo, Cocomelon is animated in a way that prioritizes quantity over quality, which is evident in the disproportionate characters and the assembly line feel.

Opinions about Cocomelon are divided. Some experts, such as Rebecca Cowan at Walden University, argue that there is insufficient evidence to single out Cocomelon as the problem – instead, it is total screen time that may be harmful.

– Without empirical research on the show Cocomelon, there is no data to substantiate claims that this show is overstimulating due to the pace of the scenes, she says.

But others warn that the series’ pace and overstimulating elements can have a very negative impact on children’s development, especially in terms of concentration and calmness.

Cocomelon may seem like an easy solution for entertaining young children, but it is worth considering what the fast pace and mass-produced style do to young viewers.

Shakespeare museum “decolonizes” – allegedly promoting “white supremacy”

Cultural revolution in the West

Published 18 March 2025
– By Editorial Staff
William Shakespeare
2 minute read

In William Shakespeare’s birthplace of Stratford-upon-Avon, England, a much-criticized reassessment of the world-famous playwright’s cultural heritage is underway.

The Shakespeare Birthplace Trust has decided to “decolonize its substantial and extensive collection of Shakespeare-related material, among other things, on the grounds that this allegedly risks promoting “white supremacy”.

The Shakespeare Birthplace Trust in Stratford-upon-Avon has decided to “decolonize” its collections in a bid to create a more “inclusive museum experience”, according to The Telegraph.

It says the decision involves exploring the impact of empire and colonialism on the museum’s collections, and how Shakespeare’s works have contributed to these narratives.

The foundation believes that some items in the collections may contain “language or depictions that are racist, sexist, homophobic, or otherwise harmful”, reports The Standard.

The initiative is a result of a study conducted with Dr Helen Hopkins of the University of Birmingham in 2022. The study criticized the foundation’s attractions in Stratford for portraying Shakespeare as a “universal genius” – an idea that allegedly “benefits the ideology of white European supremacy”.

As part of the initiative, the Shakespeare Foundation plans to diversify its focus by celebrating global cultural contributions, such as Bengali poet Rabindranath Tagore and Bollywood dance inspired by “Romeo and Juliet”.

Dismantling history

However, critics say the decision is part of a broader trend to decolonize cultural institutions. Concerns are expressed that such a reappraisal of historical figures like William Shakespeare could lead to the dismantling of influential white figures in the West, rather than promoting a true understanding of the complex cultural heritage.

The Shakespeare Birthplace Trust stresses that the project should not be seen as a critique of Shakespeare’s work, but aims to reassess the historical context of the museum’s collections and artifacts.

However, “decolonizing” Shakespeare’s legacy risks not only losing the historical context of the world-famous poet’s work, according to analysts. It also risks distorting the cultural significance of one of the most influential writers of all time.

Apple phones suggest “racist” as an alternative to “Trump”

Cultural revolution in the West

Published 28 February 2025
– By Editorial Staff
An iPhone suggests “racist” when the word “Trump” is spoken. In the background, the Apple headquarters in California.
2 minute read

Apple’s voice-to-text system has caused a stir among iPhone users. When the word “racist” is dictated, “Trump” briefly appears before it is corrected something Apple now says it is looking into.

Tech and globalist giant Apple says it is working feverishly to fix the suspicious bug in its dictation feature. The bug, which first came to light on Tuesday, results in the iPhone temporarily displaying the word “Trump” when users utter “racist” via voice input, reports American CNN, among others.

Watch the video above to see how an iPhone behaves when the TNT journalist speaks the word “Trump”.

Several iPhone owners have reported and confirmed the strange event on social media. Videos demonstrating the bug have quickly spread, raising questions about the reliability of the technology and possible political implications.

Apple admits the bug

Apple has confirmed the problem in a statement, claiming that it is all due to an incorrect interpretation in the speech recognition model.

– We are aware of an issue with the speech recognition model that powers Dictation and we are rolling out a fix today, said a company spokesperson.

According to Apple, the bug is caused by the system incorrectly suggesting words with phonetic overlap. The company claims that the Dictation feature sometimes shows an incorrect word before quickly correcting it to the user’s intended word

Coincidentally, the bug came to light the day after Apple announced a massive $500 billion investment in US facilities and infrastructure. Donald Trump has stated that he sees the investment as a result of his tariff policy.

The company remains positive about “Woke”

Meanwhile, Apple shareholders voted down a proposal to end the company’s so-called DEI (“diversity, equity and inclusion”) initiative which is often linked to left-wing radicalism.

The incident marks another problem for Apple since the launch of their new AI system Apple Intelligence. The company was recently forced to disable a feature that summarized news headlines due to inaccuracies.

John Burkey, founder of AI startup Wonderrush.ai and former member of Apple’s Siri team, expresses skepticism about the company’s explanation.

– This feels like a significant prank. The pressing question is whether this was introduced into the data or embedded in the code.

Other experts question Apple’s explanation about phonetic similarity between words. Peter Bell, a professor of speech technology at the University of Edinburgh, says it’s more likely that the underlying software was modified by one or more Apple employees.

James Bond becomes an ultra-globalist

Cultural revolution in the West

Published 25 February 2025
– By Editorial Staff
James Bond and his boss M have now become part of the Amazon empire.
3 minute read

Bond producers Michael G. Wilson and Barbara Broccoli, owners and managers of the production company EoN productions, announced last week that they are handing over creative control of the James Bond films to globalist Jeff Bezos’ corporate giant Amazon.

Concerns are being expressed by film enthusiasts that 007 is now likely to become even more “politically correct”.

After decades of 25 more or less iconic (official) films under the direction of Eon Productions, Michael G. Wilson and Barbara Broccoli, the saga of James Bond took a highly unexpected turn last week for many fans when the globalist company Amazon, which already in 2022 acquired MGM (the Bond distributor) for $8.45 billion, has now formally also obtained creative control over the Agent 007 franchise.

Amazon bought MGM mainly to strengthen its Prime Video streaming service, but according to the latest information, the deal also includes direct influence over the creative direction of the Bond universe. The news, also confirmed by Eon Productions, has almost caused shockwaves among devoted fans.

Among the concerns expressed within the Bond community is that, in addition to new films, the franchise may expand to include TV spin-offs of various side characters, digital content and elements of radical left-wing cultural politics – known as woke, DEI and third-wave feminism.

No Time To Die James Bond
James Bond (Daniel Craig) has defeated many major villains to date, but now seems to have met his match in the globalist company Amazon. Photo from the movie “No Time To Die”.

Eon Productions, which has controlled Bond productions since 1962, will reportedly continue to play a central role in the film productions. However, critics doubt this, as one of the producers, Michael G. Wilson, 83, has now formally declared his retirement.

– With my 007 career spanning nearly 60 incredible years, I am stepping back from producing the James Bond films to focus on art and charitable projects. Therefore, Barbara and I agree, it is time for our trusted partner, Amazon MGM Studios, to lead James Bond into the future, comments Wilson.

Concerns are also expressed that Amazon may water down the concept by planning more series and spinoffs on Prime Video, as previously discussed for example in the form of a series about CIA agent Felix Leiter. There are also hints that the Bond films could be released directly on Prime, despite Eon’s adamant insistence that the main films premiere in cinemas.

“Bond is dead”

On social media, reactions to what was, for the vast majority of supporters, a shocking decision, have been passionate. “Amazon will destroy everything that makes Bond unique he will become an algorithmic action hero”, wrote one fan on X. However, some are more hopeful. “More stories in the Bond world could work, if they respect the core”, comments another user.

In Reddit threads, there is speculation that Bond could now very likely become even more woke, and/or follow similar trends to Marvel’s expanded universe.

Bond into the streaming era

Mike Hopkins, head of Prime Video and Amazon MGM Studios, is unsurprisingly optimistic.

– Since his theatrical introduction over 60 years ago, James Bond has been one of the most iconic characters in filmed entertainment. We are grateful to the late Albert R. Broccoli and Harry Saltzman for bringing James Bond to movie theatres around the world.

According to reports from industry sources, the tech giant paid a staggering sum of an additional $1 billion to Eon Productions to acquire the exclusive rights. The MGM purchase certainly included the distribution rights of the James Bond films, but the new deal gives Amazon a clearer mandate to develop content outside the movies.

Analysts say Amazon’s move reflects a trend of streaming companies buying iconic franchises to attract subscribers. However, the risks are high Bond is a cultural institution with demanding fans. While Amazon sees opportunities in expanding the Bond universe, questions remain about how the very essence of Agent 007 will be allowed to be preserved including a dash of political incorrectness?

The question now echoing through the movie world is: How will Bezos’ globalist empire shape the future of the world’s most famous secret agent? Will 007’s martini still be shaken, not stirred, in Amazon’s hands?

Eon Productions

  • Full name: Eon Productions Limited
  • Founded: 1961
  • Founders: Albert R. "Cubby" Broccoli and Harry Saltzman
  • Current owners: Barbara Broccoli and Michael G. Wilson
  • Headquarters: Eon House, 138 Piccadilly, London, England

Activities.

  • Primary focus on the production of the James Bond film series. Total of 25 official films produced between 1962 and 2021. First film: "Dr. No" (1962). Last film: "No Time to Die" (2021).
  • Other notable productions: "Chitty Chitty Bang Bang" (1968), "Call Me Bwana" (1963), West End musical "Once" (2013)

Collaborations.

  • Long-term partnership with United Artists and later MGM
  • Joint venture with Amazon MGM Studios for the James Bond franchise since February 2025

Cultural legacy.

  • Responsible for establishing James Bond as one of the most successful and enduring film franchises in history
  • Shaped the modern action genre and spy film

Other.

  • The James Bond franchise has generated over $7 billion in box office revenue globally
  • Extensive merchandising and licensing of the Bond brand
  • Awards: Multiple Oscar nominations including wins. Mainly technical credits such as special effects and sound mixing
  • BAFTA awards, including 2013's 'Skyfall', for Outstanding British Film

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