Wednesday, October 8, 2025

Polaris of Enlightenment

The Tibetan Book of the Dead

The ancient text read to the dead in Tibetan culture aims to help people deal with their inevitable fate in the best possible way.

Published 19 March 2023
– By Editorial Staff
Left: Ancient mandala pattern from the Bardo Thodol collection. Tibetan monks at Drepung Temple in Lhasa on the right.
6 minute read

The original texts were probably written sometime in the 7th century, discovered in the 14th century, and translated into English in the 20th century by the American scholar and anthropologist Walter Evans-Wentz (1878-1965). The translation became the standard English version that most people today know as The Tibetan Book of the Dead and is the one that other authors tend to refer to.

Evans-Wentz’s popularization of the work, including by relating it to the psychologist Carl Gustav Jung (1875-1961), has established the book as a kind of guide to understanding and altering consciousness. Many people find that the texts can help them free themselves from misconceptions that keep them bound to repeated cycles of self-destructive or self-limiting behavior. However, this was not the original purpose of Bardo Thodol.

Bardo Thodol roughly means “liberation by hearing in the intermediate state” and was written to be read to the spirit of the deceased in the intermediate state (“bardo”) at the stage when the soul leaves the body and faces the process of either being reborn in another form or being liberated from the cycle of rebirth and death (“samsara”). According to the Tibetan Buddhist philosophy of life, the consciousness of the dead person is confronted, among other things, with the deeds done in life, which are personified in the form of either angry or peaceful spirits. These spirits are considered to be frightening to the soul, and so a lama (Tibetan Buddhist monk) reads the scripture aloud next to the body of the dead person, partly to help the soul understand what it is encountering, and partly because this understanding enables a more harmonious transition from the intermediate state to a new form of life.

At the same time, the mythical writings have had other applications in the encounter with other cultures and beliefs. The texts, however they are interpreted, are based on the existence of an afterlife, providing comfort to those facing death. The scriptures are even used today in some places as a healthcare tool for patients who do not have long to live, to help them face the fears of death.

History of the scriptures

According to legend, the Bardo Thodol arose in the 7th century when the Lotus Guru Padmasambhava was invited to Tibet by the Emperor Trisong Detsen (755 – 797) who requested his help in ridding the country of the dark spirits that were believed to be preventing the acceptance of Buddhist teachings. Padmasambhava thus transformed these spirits from selfish and fearful obstacles into guardians of the cosmic law, “dharma”.

Among the first to embrace the Buddhist philosophy of life was Yeshe Tsogyal in the mid-8th century, who was either the wife or consort of Trisong Detsen. She may have been an early follower of the goddess Tara, one of the principal figures in the esoteric Buddhism of Padmasambhava. Tsogyal, often called the mother of Tibetan Buddhism, dutifully studied with Padmasambhava and helped the guru write the texts, which they then hid in various places to be found later by those who would reveal them when needed.

In the 14th century, the texts were discovered by Karma Lingpa, who is traditionally considered a reincarnation of one of Padmasambhava’s disciples. Lingpa discovered several texts, not just the Bardo Thodol, as noted by scholar Bryan J. Cuevas, among others.

These texts were taught orally by masters to students in the 15th century and then passed between students in the same way. Cuevas notes how “the transmission of religious knowledge, whether in the form of texts or direct oral instruction, was actually a rather fluid process in Tibet” at this time, and earlier. The texts were only printed in the 18th century when they began to circulate more widely and made their way to Western societies around the world.

In 1919, British officer Major W. L. Campbell, stationed in Sikkim, India, travelled around Tibet and bought a number of these printed texts. Campbell had an interest in Tibetan Buddhism and on his return to Sikkim, he shared them with Dr Walter Evans-Wentz, an anthropologist in the region who was studying the religious and spiritual aspects of the culture in Tibet. Evans-Wentz had a very poor command of the language and therefore enlisted the help of Lama Kazi Dawa Samdup (1868 – 1922) who was the headmaster and teacher at a local school.

Dawa Samdup already had an impressive reputation as a translator, having worked with the famous travel writer and spiritualist Alexandra David-Neel to translate Tibetan into English. He agreed to help Evans-Wentz with the writings, and they met to translate and interpret the texts until Dawa Samdup’s death in 1922. At this point, only Bardo Thodol’s funeral text was mostly translated. Evans-Wentz filled in the missing parts with his own interpretation and published the writings in 1927 under the title The Tibetan Book of the Dead to resonate with the title The Egyptian Book of the Dead, published in English in 1867 by the British Museum.

Life as a shaper of the death experience

At the center of Bardo Thodol is the Buddhist philosophy that all living things are interconnected as a constant cycle of change; that all things come and go according to their nature, and that human suffering arises from trying to maintain permanent states in a world where death is inevitable. Researcher Fung Kei Cheng elaborates:

“For Buddhists, life is considered not only a process but, more importantly, a “great process of becoming” with an unceasing cycle of living and dying, which suggests that individuals experience death countless times…. Depending on the individual response to reality, transcending suffering and alleviating death anxiety becomes possible when a person successfully searches for meaning in life and then prepares to die well by letting go of death.”

According to the Buddhist philosophy of life, it is a person’s response to reality in life that shapes their experience after death. In the afterlife, both the positive and negative energies in one’s life manifest as spirits that try to block or open one’s path in the intermediate state after the body dies. The Bardo Thodol is therefore read to the soul to help it understand what it is facing and what to expect next.

Once the ritual of the reading of the Bardo Thodol is complete, the family of the deceased is considered to have done their duty in respecting the dead and can then move on with their lives. Although it seems that some rituals only last for a week or sometimes a few days, the act itself is believed to have helped the deceased and prevent their spirit from returning to haunt the living with bad luck, illness or retribution.

Guidance in life and in death

The ritual of reading aloud to help the soul of the dead is the sole purpose of the original Tibetan text, but once translated by Dawa Samdup and published by Evans-Wentz, its texts were promoted as a source of guidance for the living as well. Evans-Wentz was inspired by the theosophy of Helena Blavatsky (1831 – 1891), which was based on the idea that the divine and immortal absolute resides within each soul, and drew much of its philosophy from Buddhism, particularly esoteric Buddhism. Tibet, as Blavatsky claimed, was “a seat of ancient wisdom”.

Evans-Wentz’s interpretation of the Bardo Thodol was therefore influenced by his theosophical beliefs – not just as a funeral rite but with content that could also help one live a better life on this plane of reality. In his introduction to The Tibetan Book of the Dead, Evans-Wentz writes:

“It is very sensible of Bardo Thodol to clarify the primacy of the dead soul, because that is the one thing that life does not clarify for us. We are so hemmed in by things that crowd and oppress that we never get a chance, in the midst of all these ‘given’ things, to wonder by whom they are ‘given’. It is from this world of ‘given’ things that the dead man liberates himself; and the purpose of instruction is to help him towards this liberation. We, if we put ourselves in his place, will get no less reward from it, because we learn from the very first paragraphs that the ‘giver’ of all ‘given’ things lives within us.”

Evans-Wentz’s approach has highlighted the perspective that The Tibetan Book of the Dead can thus be as valuable to the living as to the dead, something also emphasised by the Tibetan lama Sogyal Rinpoche. It is clear that Bardo Thodol’s texts were written to provide comfort and guidance to the dead in the afterlife, encouraging them to “do something about” death by engaging with the dying process. Today, it may meet the psychological need mentioned by Jung for a belief in the survival of bodily death, helping people in the process to let go and move on – regardless of what personal beliefs or philosophies one relates to.

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YouTubers invest in their own businesses – ad revenues are unpredictable

Published 6 October 2025
– By Editorial Staff
Jimmy Donaldson, known as MrBeast, has the world's largest YouTube channel with 442 million subscribers.
2 minute read

More and more YouTube personalities are reducing their dependence on ad revenue and brand partnerships and instead building their own business empires. The reason is that advertising income is unpredictable and can disappear overnight when the platform changes its policies.

YouTube has evolved into a gigantic platform that has contributed over $55 billion to the US GDP and created more than 490,000 full-time jobs. But despite the platform’s success, many of the most successful content creators have realized that it’s risky to rely solely on ad revenue, writes TechCrunch.

Many of the biggest channels have now transformed into vertically integrated media companies with product lines, physical stores and consumer brands that can survive algorithm changes. In several cases, these side businesses are growing faster than the YouTube channels themselves.

MrBeast leads the development

Jimmy Donaldson, known as MrBeast with 442 million subscribers, is the platform’s most aggressive entrepreneur. His chocolate brand Feastables generated around $250 million in revenue in 2024 with over $20 million in profit – significantly more profitable than his YouTube content which lost approximately $80 million the same year. The first product sold over one million units and generated more than $10 million within 72 hours.

Donaldson also runs the food brand Lunchly, the toy series MrBeast Lab, the burger concept MrBeast Burger and the analytics platform Viewstats. Now he plans to establish his own mobile network.

Coffee and energy drinks as goldmine

Emma Chamberlain, with over 12 million subscribers, launched her coffee brand Chamberlain Coffee in 2019. In 2023, the brand reached approximately $20 million in revenue and in January opened its first physical store. Revenue is expected to grow by over 50 percent in 2025 and reach more than $33 million.

Logan Paul created the energy drink Prime together with KSI, which surpassed $1.2 billion in sales in 2023. However, sales have declined sharply, particularly in the United Kingdom where revenue fell by approximately 70 percent between 2023 and 2024.

Children’s audience and beauty products

Ryan’s World, hosted by 13-year-old Ryan Kaji, has expanded its brand through toys and clothing that reportedly generated over $250 million in revenue in 2020.

Within the beauty industry, Michelle Phan has founded the subscription service Ipsy and the makeup brand EM Cosmetics, while Huda Kattan built Huda Beauty which generates hundreds of millions of dollars annually. Other well-known makeup brands from YouTube influencers include Jeffree Star Cosmetics and Tati Beauty, showing that the beauty industry continues to be an attractive area for content creators who want to build their own business empires.

Six kilos of medieval silver treasure found in Stockholm

Published 19 September 2025
– By Editorial Staff
The silver coins have been dated to the 12th century and were likely minted when Knut Eriksson was king of Sweden.
2 minute read

A private individual has discovered a significant silver treasure from medieval times. The treasure, which could likely be one of the largest ever found, contains among other things up to 20,000 coins from the 12th century.

The silver treasure was discovered by a person digging for worms just outside Stockholm, Sweden, who contacted the County Administrative Board (Länsstyrelsen). It was found in a copper cauldron and contained approximately six kilos of silver coins, pendants, pearls and silver rings.

This is probably one of the largest silver treasures from the early medieval period that has been found in Sweden. We don’t yet know exactly how many coins there are, but I believe it could be up to 20,000. Most of the objects are well preserved, but unfortunately the copper cauldron they were stored in is not as well preserved, says Sofia Andersson, who is an antiquarian at the Stockholm County Administrative Board, in a press release.

The silver coins have been dated to the 12th century and some of the coins bear the text “KANUTUS”, which means Knut in Latin – indicating they are from the time of Knut Eriksson’s reign as king of Sweden.

Three types of coins found in the treasure: KANUTUS coins, Gotland coins and bishop coins. Photo: Stockholm County Administrative Board

The treasure also contains some rare bishop coins, which were coins manufactured in Europe by bishops. These coins feature a bishop holding a crosier in his right hand. Lin Annerbäck, head of the Medieval Museum in Stockholm, describes the treasure as unique and believes it can tell us much about Sweden’s history.

It is completely unique, we have no other medieval treasures from Stockholm. And then it also appears to be extremely large. So it’s very exciting. she tells the Swedish newspaper DN.

The location where the treasure was found is currently being kept secret due to the risk of illegal treasure hunters. Archaeologists will further examine the site and the treasure as well as evaluate it.

Talk show host Jimmy Kimmel suspended after Kirk monologue

Published 18 September 2025
– By Editorial Staff
Jimmy Kimmel together with Kamala Harris (D) in June 2024.
3 minute read

Talk show host Jimmy Kimmel has been suspended from US television network ABC after controversial statements about the murder of Charlie Kirk. The decision has sparked strong reactions in both American politics and the entertainment industry.

ABC has decided to pause the talk show “Jimmy Kimmel Live!” indefinitely. The background is a monologue where Kimmel questioned the White House’s official version of the motive behind the murder of right-wing profile Charlie Kirk.

Kimmel suggested that the perpetrator could be linked to the Trump movement, rather than the radical left, and accused the president’s allies of “scoring political points” from the murder.

The Maga Gang desperately trying to characterise this kid who murdered Charlie Kirk as anything other than one of them and doing everything they can to score political points from it.

The comment sparked immediate backlash. Brendan Carr, head of the US Federal Communications Commission (FCC), threatened ABC with action and argued that Kimmel’s words undermine public trust.

Shortly thereafter, the network announced that the program would be suspended until further notice. Several major stations, including Nexstar Media, followed suit and stopped broadcasts nationally.

Jokes about Trump’s grief

Jimmy Kimmel also made ironic comments about Trump’s alleged grief after the murder. Kimmel began by showing a video clip from the weekend where a reporter first asks the president how he feels after the murder.

But between all the pointing, they’re also grieving… On a human level, you can see how hard the president is taking this.

After Trump responded to the reporter that he feels “very good”, he quickly shifts the conversation to talk about the construction start of the new ballroom at the White House and how beautiful it will be.

This is not how an adult grieves the murder of someone he calls a friend. This is how a four-year-old mourns a goldfish, said Jimmy Kimmel.

Donald Trump: “Kimmel talentless”

Donald Trump expressed his approval of the decision on social media and called Kimmel “talentless” while commenting on the program’s “low ratings”. The White House then backed up Trump’s tone, claiming that television audiences benefited from the decision to stop Kimmel.

The announcement has simultaneously created a storm of criticism, not least from Democratic leaders.

Senate Minority Leader Chuck Schumer argues that threats against media broadcasting licenses due to satire and opinion statements constitute a serious threat to freedom of speech. Schumer compared the action to methods reminiscent of authoritarian states.

That’s what Xi does. That’s what Putin does, said Schumer.

The suspension of Jimmy Kimmel has quickly become a symbol for many of the increased political polarization in America’s media landscape.

The question of what responsibility and freedom comedians and satirists have in polarized times continues to be debated, and critics warn that the suspension risks creating a barrier between those in power and free media.

Robert Redford is dead

Published 17 September 2025
– By Editorial Staff
Robert Redford turned 89 years old.
3 minute read

Robert Redford, one of Hollywood’s most beloved actors, directors and founder of the Sundance Festival, has died at the age of 89. He passed away peacefully on September 16 at his home in Sundance, Utah — surrounded by loved ones — leaving behind an artistic legacy, an institution and a heritage in independent film that changed the film world forever.

Charles Robert Redford Jr. was born on August 18, 1936 in Santa Monica, California. His first steps into an acting career came through TV roles and theater, and he achieved widespread breakthrough with roles in films such as Butch Cassidy and the Sundance Kid (1969), The Sting (1973) and All the President’s Men (1976).

He was not just a leading film actor during the 60s and 70s. Redford also transitioned into directing and producing and won an Oscar in 1980 for Best Director for the drama Ordinary People.

But perhaps his greatest lasting legacy is the Sundance Institute and Sundance Film Festival, which he founded to promote independent filmmakers and artistic voices outside the major studio budgets. The festival became a central platform for creative filmmakers worldwide over the decades.

Reactions and tributes

Redford’s passing was confirmed by his spokesman Cindi Berger. He died peacefully in his sleep at his home surrounded by those he loved. The reactions from the film world and his close collaborators and friends are unsurprisingly extensive.

Shaped the film industry

Robert Redford’s significance is evident not only in his classic performances, but also in how he shaped the film industry. He often chose projects with moral weight, integrity and social analysis.

At the same time, he sometimes participated in productions with a clearer entertainment character, for example Spy Game (2001) and Three Days of the Condor (1975), although these films contained depth and substance.

Outside the world of film, he engaged in environmental issues, art and politics, thereby becoming a symbol of both artistic responsibility and humanity.

With Robert Redford’s passing, the film world loses an iconic voice, and the world loses a heart that loved both adventure and the quiet – the grand drama and the small, the visual and the human.

His films will continue to entertain, provoke and inspire, and his festivals and ideas will provide space for new voices long after his name has fallen silent from the silver screen.

Fact box Robert Redford

  • Born: August 18, 1936, Santa Monica, California, USA.
  • Died: September 16, 2025, Sundance, Utah, USA.
  • Age: 89 years.
  • Professions: Actor, director, producer, festival founder.

Filmography (selection)

  • Butch Cassidy and the Sundance Kid (1969).
  • The Sting (1973).
  • The Great Gatsby (1974).
  • All the President's Men (1976).
  • Three Days of the Condor (1975).
  • The Natural (1984).
  • Out of Africa (1985).

Direction / production (selection)

  • Ordinary People (1980) — directorial debut and Oscar for best director.
  • A River Runs Through It (1992).
  • The Horse Whisperer (1998).

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