Monday, June 2, 2025

Polaris of Enlightenment

The Faroe Islands’ grand celebration

The popular national day celebration Ólavsøka brings the Faroese together for a colorful celebration in the capital Tórshavn, a tradition that goes back a thousand years.

Published yesterday 7:45
– By Editorial Staff

The Faroe Islands consist of 18 small islands, mostly bordered by high mountains and narrow fjords in the North Atlantic Ocean between Scotland, Norway and Iceland, with a population of around 55 000. Faroese is a unique little Nordic language, descended directly from the Old Norse spoken by the Norse who settled the islands 1200 years ago. Formally part of the Kingdom of Denmark, the islands have been granted considerable autonomy. Fishing is a key part of the trade, with seafood exported to all six continents.

Góða Ólavsøku!

Centuries of relative isolation have resulted in the preservation of long-standing traditions that still characterize life in the Faroe Islands. One strong tradition is the national day celebrated on July 28 and 29, known as Ólavsøka.

The holiday is held in memory of the Norwegian king Olaf Haraldsson II, who died in the Battle of Stiklestad in Norway in 1030 and was later canonized as the patron saint of Norway. In Norway, a similar celebration called Olsok Day is also observed on July 29.

The death of the Norwegian king is believed to have contributed to the Christianization of Norway and thereby also the Faroe Islands, which during the Middle Ages were part of the Kingdom of Norway. The tradition of celebrating Olsok, still observed in Norway, has also lived on in the Faroe Islands and is today the nation’s national day.

The celebration of Ólavsøka thus stretches back about a thousand years, but in its current form, it has been observed since 1920.

A popular festival

Ólavsøka is celebrated with a large public festival lasting two days, during which residents often gather in the capital, Tórshavn. Men, women, and children frequently wear Faroese national costumes, known as føroyski tjóðbúnin, for the celebration. It is the largest summer festival of the year.

The opening ceremony is often described as both colorful and highly traditional. In a procession, athletes from local clubs, politicians, musicians, and riders march through the streets of the city accompanied by a brass band. Outside the parliament building, Ólavsøka is then officially opened with speeches and musical performances.

During these days, the streets of Tórshavn are filled with people of all ages. The joyful atmosphere is palpable as old friends reunite, families spend time together, and strangers meet.

900-year-old tradition

The Faroese Parliament dates back to the 9th century, making it one of the oldest parliaments in the world. In Viking times, for example, it was the highest authority on the islands.

The opening of the Parliament, which takes place on July 29, is a very long tradition that goes back over 900 years. Among other things, it is documented in the Sheep Letter, which is the oldest legal document in the Faroe Islands, dating back to 1298.

The Føroya løgting opens at 11 a.m. when members of parliament, government ministers, priests of the National Church of the Faroe Islands and other public officials walk in procession to Tórshavn Cathedral where a service is held. After the service, the procession goes to the parliament building where there are choral and musical performances.

At the formal opening of Parliament, the Prime Minister (Løgmaður) delivers his annual address to Parliament and the Faroese nation. The opening of Parliament is considered an important part of Ólavsøka and reflects the ancient connection between Parliament and the Church.

Kvaddans and Midnight Singing

During the celebration, there are art exhibitions, concerts, and other cultural highlights in the Faroese spirit. One tradition is the so-called kvaddans, where participants hold hands and dance in a long chain or circle. It is a traditional Faroese dance dating back to the Middle Ages, where participants sing old narrative ballads – kvæði, an old word for song. In Sweden, the dance is known as ballad dance.

The Faroe Islands’ national sport is sea rowing, and the final of the national rowing competition is also held during Ólavsøka, one of the highlights of Faroese sports.

Local specialties such as skerpikjøt (dried mutton) and aquavit as a welcome drink are often served, and restaurants stay open late.

An important part of the celebration is also Midnáttarsangurin, which translates to “the midnight song”. It takes place at midnight between July 28 and 29 in Tórshavn, where Faroese people gather at the town square near the parliament to sing together. Both old and new Faroese songs and ballads are sung, and kvaddans is danced here as well.

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WakeUpTV aims to challenge the Nordic establishment media

Published 29 May 2025
– By Editorial Staff
According to Oddane, the focus of the TV house will be on news and social programs as well as investigative documentaries and interviews.

The creators behind the WakeUpGlobe channel, the Nordic network WakeUpFriends, and the WakeUpConference announce that they are planning to build a new Nordic television network focused on “truth and awareness”.

The stated goal is extremely ambitious – they say they want to seriously challenge and offer an alternative to the major Nordic TV companies with their millions of viewers.

It’s time to build a new Nordic TV house under the WakeUpTV brand that can seriously challenge the big Nordic commercial and state-owned players, such as SVT, TV4, DR in Denmark, and NRK in Norway”, says founder Michael Oddane in a press release.

With WakeUpTV, we want to take everything to a whole new level, where we will operate in professional TV studios on a par with the major TV houses in an environment where the masses feel at home”, he continues.

According to Oddane, hundreds of millions of people around the world have lost confidence in the narratives broadcast by traditional channels and are instead looking for new alternatives.

We will create truth-focused and life-affirming TV that will both be a force for changing society for the better and help people develop both personally and spiritually”, he says.

“Traditional media obscures and distorts”

The plans began five years ago, and the property where the TV station will be built is located in a scenic area outside Lund. Two large TV studios, control rooms, and offices will be built on the property.

Initially, the TV station will have five permanent employees, and various external presenters will be brought in for different projects. It will launch its own streaming service but will also broadcast much of its content via social media to achieve the widest possible reach.

Our focus will, as always, be on uncovering the truth about what is happening in the world and sharing knowledge about personal and spiritual development. It is quite obvious that traditional media both obscures and distorts the truth, contrary to the mission they claim to have. They seem to operate largely according to the wishes of those in power and have lost their function as the third estate. Even spiritual and personal development seem to fall outside the scope of public service and commercial television, which is highly remarkable”, Oddane continues.

Holistic health and alternative medicine

WakeUpTV will also focus on areas such as holistic health, alternative medicine, and treatments – but not on sports or pure entertainment programs.

There will be news-related and socially oriented programs, investigative documentaries, and interviews. There are also plans for debate programs and talk shows with live audiences and, as I said, a separate section where we will share knowledge about spiritual and personal development together with a large number of Nordic actors. Everything will be packaged with high production values”.

Oddane is now trying to attract investors – both micro-investors and those who are willing to invest larger sums. However, it is currently unclear when the TV station is expected to be ready and start broadcasting programs.

Israel’s Eurovision public vote record sparks suspicion of coordinated campaign

Published 20 May 2025
– By Editorial Staff
Israeli representative Yuval Raphael performing at this year's Eurovision.

Israel’s contribution to the Eurovision Song Contest 2025 has become a hot topic – not only for its performance, but also for the record-high number of votes from the audience. Now, suspicions are growing that organized campaigns may have influenced the result.

According to the Schibsted newspaper SvD, both experts and Eurovision fans have reacted to Israel receiving so many votes from TV viewers. Israel’s representative Yuval Raphael won the public vote by a large margin, but Austria took home the final victory thanks to higher scores from the jury groups.

As in Malmö last year, Israel’s entry was controversial even before the final, mainly because of the ongoing war in Gaza.

It is worth noting that Yuval Raphael survived the Hamas attack at the Nova music festival on October 7, 2023, and she says that the experience has shaped her and her entry, “New Day Will Rise”, which she believes carries a strong message of hope and reconstruction.

EBU will investigate

According to SvD, there are suspicions of coordinated efforts on platforms such as Telegram, Facebook, and X, where users have shared instructions on how to vote from different countries and use VPN services to circumvent geographical restrictions.

Similar patterns have been seen in previous years, but this year’s mobilization is described as unusually extensive. There have also been reports of automated bots and paid advertisements targeting the Eurovision audience.

The European Broadcasting Union (EBU), which organizes the contest, has confirmed that it is following up on the information and analyzing voting patterns. In a statement, the EBU says it has advanced systems to detect and stop cheating, but that it always reviews its procedures after the contest.

Journalist asked critical questions about Israel – banned from Eurovision

The situation in Gaza

Published 15 May 2025
– By Editorial Staff
Journalist Szymon Stellmaszyk, banned from Eurovision 2025.

Polish journalist Szymon Stellmaszyk has been denied accreditation for this year’s Eurovision Song Contest in Basel. He believes this is due to a critical question he asked Israeli artist Eden Golan last year – something the EBU denies.

Szymon Stellmaszyk has covered the Eurovision Song Contest for 20 years and runs both the Facebook page “Let’s talk about ESC” and the industry website “Radio Newsletter”. This year, for the first time, he has been denied accreditation to cover the contest in Basel.

The background, according to Stellmaszyk himself, is a critical question he asked Israel’s contestant, Eden Golan, during Eurovision in Malmö last year. He asked whether Golan, given the political situation and the war in Gaza, thought her presence could pose a security risk to other participants and the audience.

The question attracted attention and was criticized by some, but Stellmaszyk emphasizes that it was not intended to be offensive or “anti-Semitic”. In an email to Stellmaszyk, which the Swedish state broadcaster SVT has seen, the EBU justifies its decision by saying that the platforms Stellmaszyk uses do not have sufficient reach.

“Restriction”

Szymon Stellmaszyk himself is convinced that the EBU is making excuses and that it is in fact about the question he asked last year.

– This is some kind of revenge and, in practice, a restriction of freedom of expression, he says.

It should also be noted that this year’s EBU media handbook contains a new rule stating that published content must be “respectful” towards Eurovision and the EBU. Eurovision boss Martin Green says the wording is unfortunate and promises that it will be reworded for next year.

At the same time, he does not want to comment on individual cases, but points out that there are a limited number of places for journalists.

The Eurovision Song Contest 2025 will be held in Basel, Switzerland.

Bizarre children’s series described as “digital drug”

Cultural revolution in the West

Published 10 May 2025
– By Editorial Staff
The characters of the children's series Cocomelon with its abnormal proportions.

The children’s series Cocomelon attracts young children around the world with its colorful animations and catchy songs. Despite its enormous popularity, criticism of the series is growing, with some warnings that its extreme editing could have a very negative effect on children’s brains.

More and more parents and experts are questioning the extremely fast pace of Cocomelon and whether the mass-produced style is really good for young minds, or whether it risks overstimulating children and making them restless.

One of the major objections to Cocomelon is its rapid editing technique, where camera angles change every two to three seconds. This is a hectic and exaggerated pace that is unfortunately all too common in modern children’s entertainment, but here it is taken to a new level.

According to a study by PubMed Central (PMC), the executive functions of 4-year-olds, such as self-control and working memory, are at risk of being severely impaired after being exposed to fast-paced clips for too long.

Many parents also report that their children become agitated after watching children’s series such as Cocomelon, and there is plenty of criticism on social media platforms such as X.

Mass-produced aesthetics

Other research also indicates that rapid camera and clip changes can negatively affect young children’s concentration. The fast pace is no accident either. Cocomelon is designed to capture children’s attention, but some argue that it now goes too far.

According to Findmykids.org, the constant impressions can trigger dopamine release, causing children to seek the same quick rewards even outside the screen – something that can make it harder for them to focus on calmer activities such as reading or playing.

In addition to the pace, the series’ aesthetics have also been criticized. Like most animated productions today, the characters have disproportionately large heads and overly cheerful expressions, which some find unpleasant.

For many parents and viewers, it feels like the series is made on an assembly line where quantity takes precedence over quality, resulting in an aesthetic that is more frightening than charming.

Opinions are divided

Unlike traditional cartoons such as Scooby-Doo, Cocomelon is animated in a way that prioritizes quantity over quality, which is evident in the disproportionate characters and the assembly line feel.

Opinions about Cocomelon are divided. Some experts, such as Rebecca Cowan at Walden University, argue that there is insufficient evidence to single out Cocomelon as the problem – instead, it is total screen time that may be harmful.

– Without empirical research on the show Cocomelon, there is no data to substantiate claims that this show is overstimulating due to the pace of the scenes, she says.

But others warn that the series’ pace and overstimulating elements can have a very negative impact on children’s development, especially in terms of concentration and calmness.

Cocomelon may seem like an easy solution for entertaining young children, but it is worth considering what the fast pace and mass-produced style do to young viewers.

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